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Showing posts with label Wild West. Show all posts
Showing posts with label Wild West. Show all posts

Friday, August 19, 2016

Guns of the Great Shooters from Buffalo Bill's Wild West



Reunions with old friends can be a time filled with nostalgia, laughs, and more than a few old yarns to tell. In our business, the phrase, "if this old gun could talk," is a desire commonly expressed. Firearms with rich histories find their way through our doors on a regular basis, and I've had questions on more than one occasion that I would've like to have posed to one or two of them as they passed through our hallways as part of their grand journey. The grouping of items in this article is no exception. The reunion of these trusty arms would undoubtedly result in a whirlwind of stories, knowing nods, and a list of accomplishments that require no exaggeration in their retelling. These arms all have ties to members of Buffalo Bill's Wild West show, and even the ol' scout himself, William F. Cody. Their backgrounds are as varied as the people they belong to, but time and circumstance have brought them back together at Rock Island Auction Company's 2016 September Premiere Firearms Auction for one last reunion. If only they could talk.


Buffalo Bill

Lot 1036: Historic and Well Documented John Ulrich Signed Factory Engraved Deluxe Winchester Model 1873 Lever Action Short Rifle with Factory Exhibition Special Order Finish and Features Presented by Buffalo Bill (William F. Cody) to Robbie Campbell Adams Twelve Year Old Son of Wild West Show Pamphlets Publisher for the Wild West Shows Performance at Madison Square Garden

In this case, the headline for our item is so long it almost tells the story itself. Medal of Honor recipient William F. Cody began his own wild west show in 1883, which toured annually in the United States and Europe. He had already earned a solid reputation as a prolific bison hunter, as well as a scout and Indian fighter in the Army, and his reputation continued to grow. However, it was an encounter with author Captain Edward Zane Carroll Judson that began Buffalo Bill's road to stardom. Capt. Judson often wrote under many pseudonyms, but his best known was Ned Buntline. It was a combination of Buntline's dime novels about Buffalo Bill's adventures, as well as Cody's proficiency he displayed in front of top men, such as General Sheridan, Grand Duke Alexis of Russia, and New York Herald publisher James Gordon Bennett, that resulted his star's continued rise.


In that first year, Buffalo Bill's Wild West was such a popular attraction that it was able to take its act indoors to the first iteration of Madison Square Garden, built in 1879. It had no roof since P.T. Barnum converted it into an open-air "Great Roman Hippodrome" in 1873. It was a large oval-shaped arena where he presented circuses (naturally) and other forms of entertainment and performance. It was a fantastic space that traded hands several times, and each owner had a new vision for what the space should offer: events catering to high brow clientele, illegal boxing matches, indoor track and field, dog shows, concerts, religious revivals, and one of the first indoor ice rinks in the nation. Most importantly, people knew of the venue and its attractions. The boxing matches had long drawn crowds over the venue's capacity, and an elephant purchased by P.T. Barnum from the London Zoo in 1881 readily drew enough onlookers to earn back its purchase price of $10,000. So when Buffalo Bill took his show there in 1883, he had no trouble finding crowds willing to fill its seats. Having names such as James Butler "Wild Bill" Hickok, Buck Taylor, Captain Adam Bogartus, Doc Carver, and Texas Jack Omohundro on his payroll couldn't hurt either. it was a time of transition for Buffalo Bill from small exhibitions and reenactment performer to an arena-filling showman and master entertainer.



He no doubt gave partial credit for the fine attendance to the man producing the publicity pamphlets for his shows at Madison Square Garden. This same man was also a partner in the Beadle and Adams publishing house, well known for producing the "yellow-back" dime novels of the day. Not to be confused with the publisher Street & Smith, also located in New York, that had published "The Buffalo Bill Stories" which led to a large part of his fame. To thank Mr. Adams for his support in several areas, Buffalo Bill presented this Winchester Model 1873 to his son 12-year old Robbie Campbell Adams. Rock Island Auction President Kevin Hogan says it best, "This is akin to receiving Michael Jordan's sneakers." It was a prized gift from one of the finest performers of the day.

The gun is a remarkable presentation grade gun with a grocery list of special order features:

- Gold plated frame, tip, and buttplate
- Nickel finish
- Ulrich engraved
- checkered, fancy walnut stocks
- short rifle
- shotgun butt
- pistol grip

On the right side of the frame is a panel scene depicting a hunter peering out from behind a tree to shoot a bull elk. The left side also bears masterfully done floral scrollwork along with the inscription that reads, "Presented by Buffalo Bill (W. F. Cody) to Robbie Campbell Adams ~1883~"

Besides being lavished with presentation grade features, the gun was clearly chosen for the boy to be able to use it if he so chose.  It's a short rifle for easier handling by a lad, it is chambered in the relatively mild yet still effective 32 WCF, and the 22-inch barrel would also not have been unwieldy for a 12-year old. Obviously, the gun never saw the typical boyhood use and it remains in very fine condition.

This remarkable rifle's provenance is extensively documented, as it has been in the public eye for quite some time, appearing in numerous books and magazines. Rock Island Auction Company is proud to offer this rifle to the public, taking this oft dreamt-about gun and making the possibility of owning it a reality.





Frank Butler and Annie Oakley

Lot 1770: Documented Historic Factory Engraved Remington Model 12-B Gallery Special Model Slide Action Rifle Sold to Frank Butler Husband of Famed Exhibition Shooter Annie Oakley

Phoebe Ann Moses, better known as Annie Oakley, is a woman that needs no introduction to most Americans, let alone those interested in shooting. However, much fewer folks know about her husband, Frank Butler, or the story of how they met. First things first, there is much debate over the exact significant dates of the young couple. That in mind, precise dates will be avoided as much as possible in an effort to stick to the story.

Frank Butler was a dog trainer and exhibition shooter who, like many others, toured the country taking on challengers in shooting competitions for money, bragging rights, and an increase in reputation. On one of those trips he placed a $100 wager with Jack Frost (yes, that's his real name) who owned a Cincinnati hotel. Butler stated that he could best any local who dared to challenge him. When a challenger was found and the match was set, imagine Butler's surprise when out from the crowd walked a young lady. "The last thing Butler expected was a five-foot-tall... girl named Annie," recalled Frost. As was customary at the time, they would shoot live birds, and both sides agreed to a best-of-25 contest. Frank Butler lost that contest by a single bird, but both lives would be changed forever. Frank had fallen for the then-shy young lady, while Annie seemed more interested in his French poodle named George. Frank courted Annie by sending her postcards and letters signed by George. The two would be wed within a year.



It was 1885 when Annie Oakley and her husband, Mr. Frank Butler, became part of Buffalo Bill's Wild West. Annie's stature earned her the nickname "Little Sure Shot" in  Cody's publicity flyers and ads, a name given to her by Lakota leader Sitting Bull, himself a participant in the early years of Buffalo Bill's Wild West. There is no need to recount her numerous feats and popularity. However, she is an intriguing personality, known for fierce independence, an advocate for suffrage (as was William Cody), as well as a kind heart, a gentle word, a strong desire to maintain her sterling reputation, and to always portray herself as a lady despite her involvement in what was then a very masculine sport.


The first time Annie and Frank tried to settle down was in 1901, an attempt to alleviate Annie's terrible back pain suffered during a train accident, but such joie de vivre could not be tamed for long. Defeating an early diagnosis of paralysis after five spinal operations, Annie left the Buffalo Bill show in 1902 and began a less travel-intensive career in stage acting. She would return again to another show in 1911, "The Young Buffalo Show," while consecutively serving as a representative for Union Metallic Cartridge Co. Annie never lost a step as she aged, with one reporter quoted as saying, "Annie Oakley looks as though she had discovered the secret that Ponce De Leon sought so long in vain...She is as bright and alert, as when I saw her a slip of a girl with long braids 25 years ago when I was a kid." However, it didn't last long and the couple "retired" once again in 1912, even though Annie toured sporadically with another show.

For the most part, the Butlers were finished with life as performers (until Annie attempted a comeback in 1922). Perhaps as a retirement gift for his wife, Frank purchased this Remington Model 12-B on February 28, 1912. Designed by J.D. Pedersen, the model had been introduced three years prior and Annie would have already been familiar with it. Later she became quite prolific with the model using it to shoot apples off of the head of their beloved dog, Dave, and another Model 12 of Annie's (SN 600125) still resides in the Buffalo Bill Museum in Cody, Wyoming.


The example in Cody, while in excellent condition, is relatively plain compared to the Model 12-B currently offered by Rock Island Auction Company. The example purchased by Frank Butler has a highly grained, fancy stock, checkered forearm, half octagon-half round barrel, a folding peep sight, and is finely factory engraved with panel scenes of rabbits and squirrels.

The rifle may have been a perfect retirement gift for Annie, but it didn't help her desire to settle down. Annie often gave pointers on shooting to those around her, be it at trapshooting tournaments, impromptu exhibitions, or even fellow guests at the Caroline Hotel of Pinehurst, NC. "The lessons [at the hotel] began by accident when the shooting star had overheard a wealthy New Yorker comment to another in the hotel's ballroom, 'My, how I wish I were a man so that I could shoot.' Oakley replied, 'Your sex does not prevent you from learning to shoot.'"  It is documented in numerous sources that her skills had not faded in the slightest even into her fifties and sixties. In 1922, in a shooting contest in Pinehurst, the 62-year old hit 100 clays in a row at 16 yards. Unfortunately, her sixties was as long as Annie would live. She passed on November 3, 1926, at the age of 66, of what the doctor termed "pernicious anemia." Frank Butler went into intense mourning and refused to eat. He followed Annie in death 18 days later.



This is not only an incredible rifle with numerous special order features, but it remains an incredible piece of memorabilia tied to arguably the greatest American exhibition shooter from the sport's Golden Age. Opportunities like this may never arise again, and any collector or museum would be extremely fortunate to acquire this little rifle.



Buck Taylor


This remarkable Colt Single Auction Army owned by Buck Taylor, the true "King of the Cowboys" has already been covered in depth in a previous article. If you'd like to find out more about this incredible cowpuncher, his history with Buffalo Bill's Wild West, and how the important provenance of this beautiful revolver was almost lost forever to history, please read our story "Buck Taylor: The True King of the Cowboys."



Memorabilia of William F. Cody



There is also a fascinating lot in this auction that contains two items with intimate ties to Buffalo Bill.  Frankly, with all the items shown above, also with ties to the man, it could not have arrived at a better time. These items were consigned to us by someone who purchased them from an estate sale 25 years ago. The sale was being held by the niece of a man who had worked for Cody in Wheaton, Illinois. With the birthplace of Buffalo Bill a short drive away from Rock Island Auction Company, it is not surprising to hear of artifacts of the man in nearby areas. The first item is a briefcase with his name clearly printed on the closing flap. It is likely no coincidence at all that the case is designed to resemble a saddle bag. The second item is a tri-fold mirror that, according to its inscription, was a Christmas gift from Cody to "my darling wife Louisa."


Both items are a simple reminder of the wonderfully ordinary life of a man more known for his spectacle, crowds, and showmanship. They would be welcome in any accomplished collection of the man or his storied show.



These marvelous items revolving around the America legend that is Buffalo Bill's Wild West, are only the beginning of the historic and presentation grade items available in the 2016 September Premiere Firearms Auction. With items from celebrated figures such as President Teddy Roosevelt, to infamous Nazi leaders, the selection has never been better. Two juggernaut groupings among several other accomplished collections lead the way, but they are accompanied by hundreds of single gun consignments from around the country. They all combine to make a sale that collectors will be talking about for years to come. Visit www.rockislandauction.com today to browse the items and see for yourself.




-Written by Joel R. Kolander






SOURCES:

http://www.annieoakleycenterfoundation.com/faq.html

https://centerofthewest.org/explore/buffalo-bill/research/annie-oakley/

http://www.pbs.org/wgbh/americanexperience/features/primary-resources/oakley-new-york/

Sorg, Eric V. "Annie Oakley." Wild West Feb. 2001: n. pag. Historynet.com. Web.


Friday, June 17, 2016

Buck Taylor: The True King of the Cowboys


If you run a quick online search for "King of the Cowboys" the results are packed with websites featuring Roy Rogers. This is helped, of course, by a film that Rogers made entitled "King of the Cowboys." Capitalizing on World War II, the 1943 film features saboteurs blowing up government warehouses in the United States, with Roy and some associates hot on their trail to foil them. Unfortunately, Rogers was not the first to bear this royal moniker. While Roy is worthy of a lot of praise, he hadn't even been born yet by the time the original King of the Cowboys was living the winter years of his life. That man was William Levi "Buck" Taylor, a Texas-born, real live ridin' ropin' cowpuncher who grew up in the life, and whose talents were so prodigious they pushed him to the very heights of stardom and helped forever change how the public would perceive the very word "cowboy."

Buck Taylor, as he is better known to history, was born in a small east Texas town called Fredericksburgh, located in Gillespie County, in 1857. They moved around Texas some, and his father fought several times to protect his homeland. William Cody in his book "Buffalo Bill's Wild West" wrote that Taylor's family "fought for its [Texas] independence with Crockett and Col Travis at the Alamo, where a grandfather and uncle fell" and "under Sam Houston at San Jacinto..." By the time Buck was born, only he, his father, and a younger brother were the sole surviving males of the family. He was still a child when his dad joined the newly-formed Texas Cavalry and died in one of its early engagements in the Civil War, almost certainly in 1863. Two years later Buck endured the worst tragedy possible for a child, when he was orphaned after losing his mother as well. He then fell under the protective wing of an uncle who owned a large ranch on the rolling Texas plains.

There Buck grew up in the hard life of a cowpuncher. He learned the tricks, the trades, the hard work, all the while growing stronger and more accomplished. Millions of boys growing up decades later would have given almost anything to find themselves in the exact position in which Taylor was thriving. He could ride like the wind, throw a lasso with uncanny precision, understood how to manage a herd, could bust nearly any bronco, and possessed what Cody describes as "general cow-sense." That may sound like a funny word, but it is no small compliment. Buck himself is quoted as saying,

"I was dependent on myself at an age when ordinary children are still in the nursery... There was only one thing to do; which was to be a cowpuncher... By the time I was 14 I was able to ride and rope with some of the best of them and was known around our section as the best cowpuncher of my age that had ever been seen."

He would soon take supervisory roles such as "boss of the outfit" and lead herds along the Chisholm Trail with his brother James Baxter "Bax" Taylor, to the cattle yards and slaughterhouses up north. Those trips would also take him to Nebraska where his skills and "remarkable dexterity earned the attention of Major [Frank] North and Buffalo Bill and they secured his services for several seasons on their ranch by the Dismal River." Cody Ranch (also referred to as "Scout's Rest Ranch") is located about 65 miles north of North Platte and was founded in 1877 when Cody reached out to Major North, then the leader of the Pawneee Scouts for the U.S. Army. The scouts were disbanded that year and Cody proposed a partnership with Frank North and his brother Luther to become cattlemen. Cody's first encounter with the Taylor brothers was when they brought a herd up the trail for Luther, who swore up and down that Bax, not Buck, was the best bronco buster he had ever encountered. Turns out good horsemanship ran in the family. Even their older sister Mary is written about in a local newspaper as apt to "ride the worst bronco, or rope the most refracting old sow in the county." Buck continued to impress Cody with "his feats of strength, easily throwing a steer by the horns or tail, lassoing and tying single-handed," and "his mastery of wild horses," The last of which earned him his nickname, "Buck." It was on the Cody Ranch he also learned to read and write and earned a infamous reputation to down large amounts of biscuits. Once having ate 24 in one sitting, he was enduring some ribbing by his mess mates before finally being sufficiently annoyed and threatening to eat 24 more.

When the Buffalo Bill Wild West show opened on May 19, 1883, Buck was a shoe-in to appear in the show. He had already been auditioning for Cody for several years by way of his performance, but his talents and skills on the range were only part of his appeal. Buck Taylor stood between 6' 3" and 6' 5" depending on what source you read, and was an imposing figure when the average cowboy stood but a scant 5' 8". In addition to skills he had honed nearly his entire life, Taylor was well known to pick up his hat off the ground at a full gallop. If that wasn't enough to impress the crowd, he would often follow it up by retrieving his handkerchief or glove in the same manner. Handsome and with long, curly hair, Buck played a perfect lead in Buffalo Bill's staged recreation of The Battle of Little Big Horn. Buck was also well-liked by his colleagues and those he met. He had a personality that Cody describes as "...a fine representative of his class. Amiable as a child," features Cody never failed to publicize, billing him as the "King of the Cowboys." It was this combination of talent, good looks, and a kind nature that set the stage for the Buffalo Bill Wild West show to rewrite history.

At that point in American history, cowboys were viewed quite differently than they are today. They were considered dirty, gritty, unmannered, uncultured, dangerous, hard men who lived hard lives in the dust, mud and rain with livestock. Even worse, they were sometimes synonymous with outlaws. In his 1881 message to Congress, President Chester Arthur describes a band of "armed desperadoes known as 'cowboys," as a violent faction disturbing the peace in the Arizona Territory. There were some writers who were making heroes of scouts and cavalry men at that time, but the cowboy remained the depraved prairie drifter. Period author Frederick Whittaker even went so far as to write damning articles about cowboys depicting them as unrefined, ruffians and barbarians, violent to all they encountered.

Thankfully, Cody's show was already doing its part to counter the unfavorable image of the cowboy. The Staten Island venue for Buffalo Bill's Wild West show held 35,000 souls with two performances a day. In later years, it would also play prominently outside the 1893 Columbian Exposition (after being denied a place inside the show) on the Midway where he would skim from the over 26 million visitors the World's Fair would attract during its six month run. Cody, ever the marketer, had seen his own stories enjoy immense popularity. What if he took the new-found popularity of the cowboys in his show and gave the people what they wanted? He had already increased their role in his shows with positive results, so why not take the next step? That role fell to the most likely choice: Buck Taylor.

In 1887 Cody's promoter and friend Prentiss Ingraham, who had produced a nearly ceaseless stream of stories on Buffalo Bill, published the first of several dime novels about Buck which was grandly entitled Buck Taylor, King of the Cowboys, or, the Raiders and the Rangers: A Story of the Wild and Thrilling Life of William L Taylor. He would go on to write six more on the King of the Cowboys, and 1887 was arguably the peak of Taylor's career. His dime novel had been released and he was currently on tour with the Wild West show in Europe, performing in front of various heads of state and even royalty. In fact, Queen Victoria herself came to enjoy a show with the public during her Jubilee of that year. It marked the first time she had attended a show in public since the death of Prince Albert twenty-five years earlier. Author and historian R. L. Wilson adds, "Further, the Queen paid homage to the American flag during the performance, the first time a British sovereign had done so since the beginning of the Republic." Unfortunately, Buck Taylor broke a leg or hip during a performance that year, allegedly during a quadrille when a horse collided with his leg while on horseback. The popularity of the show and of Taylor was so great that his recovery was frequently covered in the local newspapers.

Buck Taylor shown at far right. Photo copyright to the Buffalo Bill Museum & Grave

If this were a more tragic story, that might be the end of Buck's career, but it would take more than a busted leg to stop a real cowboy. He would reappear in the show and stayed with it until about 1890 when he would leave for reasons that appear to be undocumented to history. Whatever his reasons, Taylor moved to Wyoming, and worked on a ranch with his brother Bax before the two broke off and started one of their own in the town of Rongis near Long Creek. Even there he never stepped completely away from show business, serving as the superintendent for Denver's Cowboy Tournament and Wild West in 1890. In an unusual twist to any biography, while living in Rongis his death was incorrectly reported by the Ft. Worth Gazette on March 23, 1892. It was said he had been shot in a fight and that two other men had been stabbed, none of which was true. What was truly newsworthy that year was that Buck had started appearing in shows again.  He also found some time to meet a young lady that would eventually become his wife. On September 12, 1893 Buck married Emely Reynolds Allibone Laugton in Carbon, WY.

One of the shows Buck joined was the Wyoming Wild West, a curious name for a show located on the East Coast. The show had a nasty habit of allowing shell-game operators to follow their show and operate outside of it which caused no shortage of problems. In New Jersey swindled college students disrupted and eventually broke up the show. "Fire crackers and other fireworks were thrown under the orator's stand just as Buck was to make his appearance. The buffalo was set loose, steers were freed. Spectators fled the tent." Similar complaints arose from a show in Maine, and in Quebec the show folded so fast that many of the Native Americans working the show were left behind, causing a international question of who was going to pay to get them back home.

Little is known of any other shows, but they must not have been up to snuff for Buck because by 1894 he had started his own western show. Unfortunately, "Buck Taylor's Wild West" was one of no fewer than 242 other western shows that would ultimately attempt to replicate the success of Cody's legendary show. Buck's foray into the business would be a flop, and by 1897 he found himself briefly working in California before moving to Valley Forge, Pennsylvania to assume duties as the superintendent  at the Betzwood Stock Farm. That same year, Buck's brother Baxter was killed when he was thrown from a wagon at their ranch in Rongis. For a man with little remaining family and who had partnered with his brother so frequently, the news must have been a tremendous blow.

The rest of Buck's life was surprisingly quiet, given how storied and exciting it had been to that point. The sole other occurrence in Buck's life that is documented is that he had his identity stolen by an impostor named Barry F. Tatum. A former actor, Tatum pretended to be Buck to the point where he gave a political speech endorsing Teddy Roosevelt, and even made some money by endorsing a 75 proof snake oil medicine called Peruna that claimed to help "catarrh, coughs, influenza, la grippe." Peruna withdrew Tatum's endorsements after he died in 1900 from tuberculosis. Of course, Tatum's death resulted in yet another false death report for the real Buck Taylor. In hindsight, all the identify theft and impersonation Buck endured in life seems an eerie foreshadowing of that which he would endure even after his death, thanks to the number of performers who not only assumed the title of "King of the Cowboys" but even used the Buck Taylor name for their own gains.

Buck Taylor would not pass away for another 24 years at 67 years of age. He died in Downington, Pennsylvania, still living on a ranch, albeit far from the American West he loved so dearly. While never taking part in the cowboy's rise to fame in the movies, Buck was one of the earliest faces of cowboys that the public could admire and embrace as a hero. He was the right man who came along at the right time. Hopefully he took some sort of personal satisfaction in that, though there is no way he could have anticipated the heights the Western genre would finally attain.



The Revolver


In September 2016, Rock Island Auction Company will be offering a Colt Single Action Army that has never left the descendants of Buck Taylor. The legendary cowboy acquired this revolver when he was 39-years of age. That puts it shipping date in 1896 - after his most colorful days in the western shows, but while he still had plenty of ranching and work to do.

The Colt letter for this beautiful sixgun confirms this shipment date and lists its original configuration, which it retains to this day: nickel plated, 5 1/2 in. barrel, and firing .45 caliber hunks of lead. While a true cowboy in every sense of the word, the flashy nature of the revolver likely appealed to Buck thanks to his time spent in the limelight. Judging by the condition of the revolver, it is likely not one that spent a lot of time bouncing around in a holster, but one that he treasured and saved for when the occasion called for some glitz.

Lot 3078: Documented Historic First Generation Colt Single Action Army Revolver Owned by the "King of the Cowboys" and Buffalo Bill’s Wild West Performer Buck Taylor
The provenance of this gun was nearly lost forever. When Buck passed away in 1924, this Single Action Army came into the possession of his niece, Francis Taylor Hoffmeister, who was given the gun at Buck's funeral as part of her inheritance. She clearly was familiar with her famous uncle because she had kept many newspaper clippings about Buck's life events. Whether the two had any personal relationship is unknown. Francis Taylor had a twin sister, Ruth, who passed in 1926. When Francis passed away in 1984, just a year short of becoming a centenarian, the gun was not passed down her family, but down her twin sister's. Ruth's granddaughter has retained the pistol to this day. Francis was the last remaining relative who knew of the gun's remarkable provenance.  Had she not relayed this history to her grandniece, this might just be any other high condition Colt in our auction, its story permanently erased from memory.


History buffs and any number of knowledgeable Western enthusiasts owe these two ladies a debt for preserving the remarkable provenance behind this piece of irreplaceable Americana. The only other firearm in existence tied directly to Buck currently resides in the Autry Museum of the American West. The revolver at RIAC represents a once-in-a-lifetime chance to own a classic piece of a bygone era and a connection to a man who forever changed the reputation of the American cowboy. It will be auctioned in Rock Island Auction Company's 2016 September Premiere Auction held September 9 - 11.






- Written by Joel R. Kolander







SOURCES:

Harris, Charles W., and Buck Rainey. The Cowboy: Six-Shooters, Songs, and Sex. Norman: U of Oklahoma, 1976. Print.
http://codyarchive.org/memorabilia/wfc.prog.1884.html

http://www.wyomingtalesandtrails.com/cody4taylor.html

Murdoch, David Hamilton. The American West: The Invention of a Myth. N.p.: U of Nevada, 2001. Print.

Slatta, Richard W. The Cowboy Encyclopedia. Santa Barbara, CA: ABC-CLIO, 1994. Print.


Thursday, January 21, 2016

The Prize for Capturing Geronimo, Part I

This incredible rifle will be available in our 2016 April Premiere Auction.


Lieutenant Colonel George Crook was not having a good time. Everything should have been falling in to place.  He was a nationally recognized military man whose career included decades of service. He was a renowned "Indian fighter," having moved many Native American groups off their lands when such activities were considered desirable. Though, even among the Native Americans he was  revered among them as a white man they could trust. Crook respected Native Americans, viewed them as honorable warriors, and after removing a tribe treated them humanely, helped them grow crops, and even found some employment. This was in line with the view of those who saw reservations as essential to the long-term survival of the Native Americans. Red Cloud, Chief of the Lakota, is noted as saying, "Crook never lied to us. His words gave the people hope." He was even honorably nicknamed Nantan Lupan by the Apache, which translates as "gray wolf." Besides his superior reputation on both sides of the Indian Wars, Crook also enjoyed professional success. He was promoted numerous times throughout his career, peaking as the head of the Department of Arizona.

Despite all that, he couldn't seem to nail down one final loose end: Geronimo.

Geronimo

Geronimo, 1887
The wily leader of the Apache lost his entire family, mother, wife, and three children, after they were slain by Mexicans months shy of his 22nd birthday, thus kindling a lifelong hatred for the country and its people. After grieving his family, he was a changed man. Once an amicable husband and doting father, he became understandably bitter and unpredictably violent. Many former friends avoided him completely, and his need to spill Mexican blood grew to obsession. It resulted in numerous revenge raids and perpetuated the constant violence that already existed between the Apaches and Mexicans dating back to the late 17th century. In the years between 1820 - 1835 Apaches killed more than 5,000 Mexicans and demolished roughly 100 villages, causing several Mexican states to place a bounty on Apache scalps in 1835, offering 100 pesos (the the equivalent of one silver dollar) for the scalp of a brave. Later, Chihuahua offered even greater rewards: $100 for braves, with lesser amounts for (presumably alive) women and children. Prices would increase and decrease as conflicts heated and cooled, though $100 was already more than some men could earn in a year.  Not to mention that one could often keep the goods and livestock of the Native Americans one killed.  All this further fueled the conflict, bloodshed, and distrust between Mexicans, Americans, and the Apache.

While Geronimo's feud initially existed largely with the Mexicans, it's not difficult to see how that violence spilled over to those early settlers and travelers in the Southwestern United States. Mexicans weren't the only ones collecting scalp bounties, plus the whites were also busy settling on Apache lands. Regardless of who was killing who, or who was turning in human scalps as casually as trapped pelts, the violence against American citizens was something the Federal Government could not abide. While the market for Native American scalps (or those claimed to be) had largely dried up by the 1880s, the memories and hatred were still fresh as ever. This was the setting that Crook inherited in 1882 (some say the spring of 1883) as head of the Department of Arizona.

Crook

George R. Crook, circa 1875
Crook had ascended the ranks in his time of military service. He had performed nobly in dozens of engagements in the Civil War, and already had a fine reputation against Indians after his performance in the Snake War, the Tonto Basin Campaign, and the Great Sioux War of 1876-77. Prior to his posting of supervising an entire state, he served as the head of the Department of the Platte from 1875 - 1882. In that role he oversaw Nebraska, the Dakota Territory, the Utah Territory, Iowa, and part of Idaho. He also helped conquered tribes on numerous occasions by speaking on their behalf in Washington, setting up irrigation projects, finding jobs, ensuring equal pay for Native American workers, and seeking markets for their newly grown crops. All this in spite of a large segment of the population that wanted all Native Americans dead, and a military supply industry that profited the most when Native Americans were hostile.

 However, Crook also had his failures, though arguably of lesser consequence. After being nominated to the United States Military Academy by his congressman, he graduated near the bottom of his class. At the Battle of Cloyd's Mountain in the Civil War, while attempting to cross a creek, his high topped riding boots filled with water, and he became swamped, requiring his men to pull him by his arms to the opposite shore. Later that battle, some sources say he became so fatigued with excitement and exertion that he grew faint and was unable to mount a successful pursuit of Confederate sources, that duty then fell to future President Rutherford B. Hayes. He would be captured by Confederate forces in 1865. Even in his finest hour, the Snake War, after ordering a charge on an Indian village from his safe vantage point, his horse spooked and ran ahead of his own troops, placing him squarely in the cross fire of both forces. Thankfully his horse continued through the village and both horse and rider emerged unscathed.  Perhaps most damning, is that some historians still debate whether Crook's failure to pursue the Sioux and Cheyenne forces at the Battle of the Rosebud, contributed to the massacre of the 7th Cavalry at the Battle of the Little Bighorn - a far greater consequence than some waterlogged boots.

Which Crook would show up to drive the Apache from the Southwest United States: the successful rising star or the embarrassed soldier with the devil's own luck?


The Game is Afoot

A cavalry patrol leaving Ft. Bowie.
Crook did plenty to help the Native Americans when he wasn't kicking them off their land and working to place them in reservations.  He developed several tactics that were successful for decades.  The first was his use of Native American scouts of the tribe he was pursuing. Utilizing the knowledge of native peoples to navigate was nothing new, but using Native American's knowledge against their own people was.  Those scouts not only had the potential to serve as translators, but also knew of their people's routes, clandestine camps, and how the tribe was trained to avoid detection. They proved themselves to be an invaluable asset time and time again. Crook also was known for his heavy use of pack animals, especially mules. By keeping the majority of supplies on the pack animals, his cavalry could travel lighter, faster, and farther. He hoped to use these same tactics to capture Geronimo when charged with the task in 1883.



Geronimo had been placed on a reservation before. When the Chiricahua Apache were under command of Cochise, they had made peace and agreed to relocate to a reservation. Not long after that arrangement, Cochise died in 1874.  Without the cooperation of Cochise things began to spiral out of control. After the sale of whiskey to some Apaches resulted in the death of two white men in 1876, the U.S. decided to dissolve the reservation in the Chiricahua Mountains and move its inhabitants to the San Carlos reservation in southeast Arizona, also known as "Hell's Forty Acres." A great number made the move, almost 4,000, but many escaped with Geronimo to Mexico. Those that stayed were subject to the treachery of those in charge of their welfare. Rations were shorted, but charged the same to the government, scales were tampered with during the sale of goods, and the reservation, originally totaling some 5,000 square miles, was gradually made smaller and smaller by whites who kept finding things they wanted along its border, such as silver, copper, and coal.  The very next year, 1877, Geronimo surrendered at the Ojo Caliente Reservation in the New Mexico Territory, but a change in management of the reservation, brought about by ego-driven politics in the U.S. Army, resulted in his release. He returned once, in 1880, out of necessity after a long, hungry winter in the Sierra Madres, but his stay would be a short one. After a spiritual leader was arrested and the resulting riot was initially quelled, Geronimo heard rumors that he would also be arrested or worse, and so stole away again into Mexico with 74 others. In the following two years, he and his band took part in increasingly bold and violent raids, stealing property, and killing residents including women and children. It was these atrocities that lead the U.S. and Mexico to a compromise that allowed each nation's lawmen/troops to cross one another's borders when in "hot pursuit" of the outlaw Apaches.

Once placed in charge and the recent accord with Mexico in place, it didn't take Crook long to locate Geronimo. He took 193 Native American scouts with him, and first hand accounts mention Tom Horn serving as an interpreter on the trek though the boulder and crevasse strewn desert landscape of the Sierra Madre. Many Apache were convinced to return to the San Carlos reservation, but Geronimo and others did not return until the next year, 1884. Once on the reservation Crook began treating the Apache civilly and implementing programs to benefit their stay, but the surrounding communities saw the treatment and felt it was too kind for a group that had raided their cattle, plundered their lands, and killed their friends and neighbors.

Printed on Back of Photo: "Scene in Geronimo's camp, the Apache outlaw and murderer. Taken before the surrender to Gen. Crook, March 27, 1886, in the Sierra Madre mountains of Mexico, escaped March 30, 1886."

This photo of Geronimo and his men was taken by C.S. Fly. His 15 images of the Apache are the only known photographs taken of an American Indian while they were still at war with the U.S.

This atmosphere was combined with whites trying to remove several brutal Apache practices from the reservation, such as cutting the nose tips off of unfaithful women, what one source calls "vicious wife-beating," but most importantly a prohibition on alcohol. Mixed together, all these things compelled Geronimo to act out by brewing a small batch of corn-based beer to protest the conditions. Instead of a reaction, Geronimo received no response at all due a communication error in the Army involving an extremely hungover officer. Geronimo and his band waited, waited, and waited some more before finally growing tired of their staged act and leaving the reservation. All in all 42 men and 92 women and children escaped. As the escapees made their way south again toward the inhospitable lands that made them nearly impossible to capture, they gathered supplies. One unfortunate family in their path was that of a man known only to history as "Phillips."

Phillips owned a ranch outside Silver City and the Apache badly needed supplies for their journey. It is not specifically mentioned, but little doubt can exist that Phillips would not have been too keen on giving up his food and stock.  Unfortunately, it cost him and his family their lives. When a posse arrived, his wife and infant child were found dead, but Phillips' five-year old daughter was hanging by a meat hook that had been plunged into the base of her skull.  She was still alive, a condition that would last only hours.

Crook was furious at the renewed violence and the incompetence of the men responsible for not responding to Geronimo's insubordination. It would be no small task to capture an Apache that didn't want to be caught, especially an angered one. If Crook didn't already feel the urgency of the situation, the strong pressure of the U.S. Government to again rein in the Apaches was nearly crushing. Perhaps it was Crook's anger and perhaps it was his knowledge of the arduous task that lay before him, but he wasted no time assembling the largest force up to that time in the Apache Wars: some 20 cavalry companies, more than 200 Native American scouts, dozens of pack animals, and extra surgeons; over 3,000 men in total.

The hunt for Geronimo was on.












































-Written by Joel R. Kolander




SOURCES:

Capps, Benjamin. The Old West: The Great Chiefs. Alexandria, VA: Time-Life, 1981. Print.

http://www.discoverseaz.com/History/Capt_Maus.html

http://www.discoverseaz.com/History/Crook_Miles.html (1st hand account of Crook)

http://www.discoverseaz.com/History/Miles_Geronimo.html (Miles, Lawton's boss)

http://xroads.virginia.edu/~hyper/hns/scalpin/oldfolks.html


Friday, October 25, 2013

The Unsung Trapdoor Rifle




In terms of American military long arms very little attention is given to a predecessor of the much heralded M1903 and M1 Garand, the Springfield Trapdoor.  The Springfield Trapdoor was produced for over 20 years and would experience many changes throughout its life.  The rifle would take its place in history just after the Civil War, despite the justifiable hesitation of many military personnel who were all too aware about the superiority of repeaters and magazine fed rifles.  It would kill buffalo by the thousands as America expanded westward and would also play a role in the wars against the Native Americans.  Militarily it represents the watershed transition for U.S. forces from the musket to the rifle.  Today we find out a little bit more of this rifle, its origins, the question of its performance, and its role in history.

Lot 3507: Rare Early Springfield Armory Model 1873 Trapdoor Rifle with Rare Metcalfe Device


Origins
After the Civil War, the War Department wanted a breech-loading rifle.  To be specific, they wanted a breech-loading rifle that would chamber a self-primed, metallic cartridge.  This led to the formation of an Army Board who, in 1865, would host trials of different rifles by makers both foreign and domestic.  The idea of the Master Armorer at the U.S Armory at Springfield, Mr. Erskine S. Allin, was to take the existing Civil War muzzle-loaders, of which there were thousands, and convert them by adding the now well known "trap door" to the receiver.



Lot 3512: U.S. Springfield Model 1879 Trapdoor Rifle


This appealed to the Board for a number of reasons:
  1. It used existing materials, thereby saving money and manufacturing time.
  2. Money was even more important with the War Department's newly slashed budget.
  3. Single shots were viewed as more reliable and rugged than repeaters or magazine rifles.
  4. It looked like proven guns of the past, especially with its pronounced hammer.
  5. Their priority on long range accuracy over rate of fire.
  6. Single shot rifles were thought to force a more efficient use of ammunition
Lot 3101: Civil War U.S. Springfield Model 1861 Percussion Rifle-Musket with Bayonet

The Springfield Model 1861 percussion rifled musket was the most used rifle by the Union in the Civil War.  It is not difficult to see its relation to the Model 1873.

The Board adopted the National Armory's (a.k.a. the U.S. Armory at Springfield, later just "Springfield") design, now referred to as the "First Allin."  However, this "adoption" was more of a test drive than a final acceptance.  As reports came in from the field in subsequent years, the rifle would be adapted, redesigned, replaced in the field in small numbers.  This went on for about 5 years from National Armory's Model 1865 to their Model 1870, until on September 3, 1872, the Board of Army Officers held another trial.  This trial was designed to find a rifle with more in line with their preference toward range and power than the Model 1870 being "test driven" by soldiers in the field.  The Board, now known as the "Terry Board," was headed by Brigadier General A.H. Terry and requested roughly 100 different breech-loading rifles from various makers to put through trials.  They again received both foreign and domestic submissions from some of the most prominent firearms manufacturers of the day such as: Winchester, Remington, Springfield, Sharps, Spencer, Whitney, and others.  All but 21 were rejected almost immediately and only two of those were modifications of the current .50 caliber trap door

Lot 1476: Rare U.S. Springfield Armory Model 1875 Officer's Model Trapdoor Rifle, Late Type II


Breech from above of the Officer's Model 1875


At this point, a "sidebar" study was held by the Terry Board.  It was a separate, yet related, study to determine which combination of caliber, powder charge, and bullet weight would provide the best performance.  They tested .40, .42, and .45 caliber bullets, powder amounts from 65-80 grains, several rifling variations, and bullet weights from 350-450 grains.  Each variation had its own barrel and was tested with 20 shots at 6 targets 500 yards away.  The winner would be barrel #16 with the #58 ammunition, which would be the 45-70-405 cartridge.  We know it better as the .45-70 Government.  The round was deemed so effective that Colt would be making Gatling guns to utilize that round later that same year.  It is surprising that both government and private manufacturers took so long to realize that by increasing powder and lessening bullet weight, they could produce rifles with much greater range.  The development of this round and its subsequent rifle, literally made for each other, would mark the American shift from muskets to longer range rifles.

By the time the .45-70 was decided upon, the Terry Board had further narrowed the field of long arms to six possible candidates.  Each was altered to use this new cartridge and tested further.  In the end, their bias to an older style of warfare and rifle won out and the trap door action was selected.  The preference for a powerful rifle that would be accurate at long distances also implies interesting things about the state of American conflict at that time.  The Civil War having ended a short 7 years earlier, the thought was to again select a weapon that would perform nobly in a similar type of conflict.  The thought of fast-moving battles against Native Americans may have been a secondary priority at that time, hence the lack of urgency to adopt repeating and magazine based rifles.

Lot 1482: Extremely Rare Martially Inspected U.S. Springfield 1892 Dated
.30 Calibre Experimental Trapdoor Rifle Number "I"
Same rifle in full.

Use
It is known that trapdoor rifles were not developed until after the Civil War and through Springfield's manufacturing records one will find that the first 1,940 Model 1873 carbines and 2 rifles were not made until the final months of 1873 with an additional 6,521 weapons ready by March 31, 1874.  The Model 1873 was the fifth improvement of the Allin design.

The Spanish-American War would not start for another 24 years.  Until that time the Allin System longarms would be used in the American plains for two purposes: killing buffalo and fighting American Indians.  As a buffalo killer, the weapon was apt.  Its muzzle velocity of 1,350 feet/second would allow it to penetrate 17 inches of white pine at 100 yards, certainly enough to kill a buffalo.  This power when combined with its long range accuracy also made it an excellent hunting rifle for other large game of the prairie and coyotes.  The classic cowboy song "Home On the Range," was first published in 1873 with its now well-known lyrics of buffalo roaming while deer and antelope play.  Little could author Brewster M. Higley have known how much the Springfield, developed that same year, would affect those animals.

Lot 3515: Desirable Custer Era U.S. Springfield Model 1873 Trapdoor Carbine with Indian Markings

The Allin System's performance in the Indian Wars is much debated.  Often cited are the "large number" of empty cartridges found at the Battle of Little Big Horn which exhibited signs of malfunction.  Such examples were found, however, they are a small percentage (2.7 - 3.4% by some counts) of the thousands rounds that were fired in that conflict.  The  concern over jamming weapons in the Indian Wars is not a modern one.  Even at the time, it was a known concern among soldiers.  This was due in large part to the use of a copper alloy ("Bloomfield Gilding Metal") in the manufacture of the ammunition's case.  Copper was prone to expanding in the breech upon firing and could also prevent the extractor from properly functioning.  This often required the user to pry the cartridge from the breech or to push it out by using the ramrod.  Such a remedy was not an option on the carbine version which did not include that valuable tool.  This brought about the use of brass cases to reduce  expansion, a material still in use to this day.

The Springfield Model 1873 carbine was the standard issue longarm of all U.S. Cavalry units from 1874 to 1896, but the rifle would be switched out in 1886 for the improved Springfield Model 1884.  The Allin system would not be replaced as the standard U.S. rifle until the adoption of the Krag-Jørgensen (a.k.a. Springfield Model 1892-99) which would also be produced by the Springfield Armory from 1894 to 1904.  For those paying close attention to dates, this means that the Krag, using its smokeless ammunition, was the primary rifle used in both the Spanish-American War as well as the Philippine-American War, though the sheer number of available trap doors inevitably meant that the outdated black powder guns would still see use.

Lot 1488: Excellent U.S. Springfield Model 1884 Trapdoor Rifle


Previous gun's breech as seen from above


Variations
It's hard to see how any troops could complain about the Springfield trap door.  With a new variation out almost every year of its production, any issues could be dealt with rapidly and remedied in subsequent variations.  The only issue that could not be fixed was that of its relatively low rate of fire, a quality inherent to its loading method.  I will not cover the vast number of variations here.  For an exhaustive list of the changes and varieties in all their minutia, please consult what many consider to be the Bible of Springfield Trapdoors, Robert Frasca's The .45-70 Springfield.  With his list of all the parts that were altered from 1873-1894, it is difficult to imagine one piece remaining throughout all 20 years of production.


Not only did the Model 1873 miss the major conflicts of the 17th and 18th centuries, it was also vastly overshadowed by the iconic Winchester repeater and Colt revolver released that same year.  It was a rifle languishing in the past by a population in the throes of the Industrial Revolution and hungry to adopt the new technologies that accompanied it.  The Model 1873 was relegated to ill-chosen government contracts, slaughtering buffalo, and killing Native Americans. Outdated in its loading system before it was even adopted by the government and lacking the celebrity of a military conflict, the Springfield Trapdoor plays a quiet role in the story of U.S. military arms, yet remains a highly desirable collector's piece with its unique loading system, endless varieties to collect, and aesthetically pleasing components like the lockplate, hammer, and sweeping breech block.  Even a highly dedicated collector would stay busy for decades happily collecting this long arm of the American plains.

In fact, one collector did just that, Dr. Richard Branum.  Our upcoming December 2013 Premiere Firearms Auction will have over 50 trapdoor rifles at all levels of collecting!  Dr. Branum's collection represents a lifetime of collecting and has resulted in the most comprehensive and academic collection of trapdoors.  Represented will be rare, experimental variations, extremely high condition models, unusual calibers, accouterments, and many different years of production.  The collection possesses every caliber of manufacture: .58 rimfire, .50-70 government, .45.70 government, the rare .45-80 long range cartridge, and .30-40.  It also contains every barrel length and every variation of the ramrod bayonet.  It is a living history lesson to view all the chronological variations in this fantastic collection.

If early American militaria and rifles are your passion, the Springfield Trapdoors alone will be enough to get you champin' at the bit.  There will also be nearly 70 Civil War pieces that help make up the nearly 1,000 antiques available in this auction.  And we all know why antiques can be so nice.  Stay tuned each and every week for more fascinating and laudable firearms.



-Written by Joel Kolander





Note: This article incorrectly referred to the rifles in Henry Wadsworth Longfellow's poem "The Arsenal at Springfield" as trapdoor rifles.  We were notified by several readers that those arms would have pre-dated the trapdoor rifles and that trapdoor rifles would not have even fit correctly in those massive and impressive racks.  We regret the error and those references have since been omitted.





SOURCES:

Frasca, Albert J., and Charles R. Suydam. The .45-70 Springfield: Springfield Caliber .58, .50, .45 and .30 Breech Loaders in the U.S. Service, 1865-1893. Springfield, OH: Frasca Pub., 1997. Print.






Friday, September 6, 2013

Tortured By Indians

In the Rock Island Auction Company Preview Hall preparations are already being made for our September 2013 Premiere Auction.  Displays are arranged, guns are placed, cases are filled, and items glint under fluorescent lights.  Among all the revolvers, war trophies, lever actions, and antiques is a curious, small photo.  It is of a sturdy man posing in a portrait studio with rifle present and revolver on his hip.  It seems a rather simple item, but the story behind the man in the photo is anything but simple, thanks to a rather adventurous life.


Lot 3095: Historic Indian Wars Period CDV A.G. Stewart, Laramie City, Wy. Ter. Marked Photograph of U.S. Scout Robert Pilson Holding a Winchester Model 1866 Rifle

Scout Robert Pilson
The story of Robert Pilson is an interesting one that we may never know in its entirety.  We are told that he lived a life of "many deeds of daring in his younger days," and "his many eccentricities during the closing years of his life," but very little more.  However, even if we know little of Pilson individually, we may make certain assumptions of his life courtesy of his occupation.  He was a scout for the U.S. government and during his era that line of work would have some serious adventure to it.  What we do know of Pilson is so compelling, one can scarcely imagine what the rest of his life was like if it was as full of daring as our source implies.

Robert Pilson was born in 1840 in Woolwich, England and came to the United States at age 4, but an obituary from the Chicago Tribune states that he was born in La Salle, IL, however the rumor of his American birth is disproved by later census documents.  We are told he received his education in La Salle before moving to Moberly, Missouri "where he attained the age of manhood."  Reminiscent of the tales of young Abraham Lincoln, Pilson could wrestle and defeat any man for miles in any direction.  He was "a giant in size and in strength," often performing feats of strength for the delight of onlookers.  This resulted in him receiving several offers "to travel on a big salary," but he refused every last one of them.

Early in the 1860's he arrived in western Nebraska, but would later end up in Fort Laramie, Wyoming where he would take up employment as a scout for the U.S. government.  While that last sentence takes us right up to what we know about Pilson, it leaves out a terrible amount of detail.  Why did he move to Nebraska?  What pushed him even further west in Wyoming?  Why take work as a scout?  Like many men of his time was there an even more lucrative profession that awaited him out west?    We may not know what spurred his move west, but it would be safe to say that prior to his work at Ft. Laramie, that Pilson was a trapper.  Many scouts were former trappers or hunters.  However, this work would have been in addition to his work as a farmer, which is documented in an 1870 census of LaSalle County, Illinois.

Trappers knew how to survive on the land, what to eat, what not to eat, how to find water, how to track or "read sign," how to hunt, how to find paths, and they knew the country.  This knowledge would not only be immensely valuable to themselves, but also to their later employers who would depend on them as scouts not only for proper navigation, but also for sustenance and avoiding American Indians.  It would also be of value to parties interested in taming the West.  Scouts would be needed by settlers, soldiers, cartographers, railroad companies, and scientists all of whom had an interest in exploring, documenting, and blazing the trails in the new frontier.  However, the profession was not without its hazards, on the contrary, scouts would face death or survival situations almost daily.  Scouting was what George A. Custer once described as "congenial employment, most often leading to a terrible death."

Custer overlooks the massacre and mutilation of Lt. Lyman Kidder and his detachment.  "Custer's scout,
William Comstock, believed Kidder might have escaped had he heeded the advice of his own scout."
(Picture courtesy of Wheeler)
On the assumption of his former occupation as a trapper, we can also safely say that Pilson was likely engaged in selling pelts.  He would have entered the profession too late to capitalize on the beaver trade, a boom thanks to a European men's hat trend, which faded in the 1840s, but could still have made an excellent living for himself.  Working for a fur company, one could receive a guaranteed salary of $200 per year, but in a good season a trapper could make ten times that sum.  To put that in perspective, an East Coast carpenter would expect to earn not a penny over $550.  Given these figures, it would be hard to imagine him earning more money working for the government in a fort, but as a scout he could earn much more.  A trip from Laramie to Fort Hall, ID, a trip over 500 miles, could be contracted out for around $250 in 1842 and well known tracker William Comstock was paid nearly $125 each month for his services as a scout in 1868, almost 10 times the rate of a private soldier.

In this trapper's life, Pilson might have had his first experience with American Indians.  There are many documented instances of trappers getting into scrapes with the locals.  Indians would take the trapped animals, steal pelts, and even kill trappers.  These accounts are largely accountable thanks to their sheer numbers and consistency.  However, trappers are also well-known, by their own volition, of being hostile to the Indians in order to show they were not to be pushed around.  These first occupations of Pilson's tell us that he had excellent survival skills, was a strong, robust man, and may have developed a distaste for American Indians early in his adult life.

Apaches had a reputation for being especially cruel as documented in this
Remington painting of an "ambushed Mexican sheepherder, strung by one ankle
over a cliff and left to bake and shrivel in the Arizona sun.
(Picture courtesy of Wheeler)
Our next documented event of Pilson says that while working at Ft. Laramie, "up to this time he had not weighed over 200 pounds, but he now commenced to take on flesh so rapidly that it soon became a difficult problem to find horses of sufficient strength and endurance to carry the heavy-weight scout."  It appears that life inside the fort walls had made Robert soft, though "soft" living at that time would still be considered borderline brutal by today's standards.  However, it appears this gluttony did not hasten him in his duties as it is noted that, "Pilson was valuable to the commandant of the post, for his great courage and natural liking for dangerous and difficult undertakings placed him in constant demand."  One day, in the course of his routine scouting expeditions of enemy (Sioux) territory, Pilson was in the midst of a two day trek among the camps of the Sioux.  It being a lovely September afternoon, he decided to lay down for a much-needed rest within a group of rocks near what is now the town of Casper, Wyoming.  He was awoken violently as a group of nine Sioux warriors set upon him and tied him up before he had the chance to resist.  The imposing figure was then lashed to a horse and lead away from the white man's world to the head camp of the Sioux tribe, "situated in the Bad Lands, near Pine Ridge, Nebraska."

One can only imagine the thoughts and fear racing through Robert's head.  His trapping days had undoubtedly regaled him with tales of what American Indians would do to prisoners.  Stories abounded of prisoners being scalped, burned with charred woods, heated stone tools, or white-hot metals, dismembered, disemboweled, blinded, burned in various ways, flayed alive, mutilated, cannibalized, bound with wet rawhide (which would tightened as it dried), and countless other fates.  Torture sessions were not short exercises and could last days.  The American Indians could be creative captors and Robert had likely heard the worst.  All these things were certainly flashing before his eyes as he was helplessly lead to the what would likely be the last place he would see alive.

The torture and execution of William Crawford in 1782.  Thoughts of this event and
similar ones no doubt filled the young scout's mind.
When the band arrived back at their village they discovered that the chief was away.  In his absence the Indians tied Pilson to a stake and began a three day marathon of torture and pain on the scout.  Tomahawks and knives were thrown at his head and body, but Pilson bore his torture with resolute courage and a fortified constitution.  He was hit directly on several occasions with the deadly instruments, but never uttered a word, instead choosing to smile at his captors.  Other tribe members came round and would amuse themselves by marring Pilson's lumpy anatomy with burning sticks and small torches.  At the end of three days, the Indians became frightened of their mysterious prisoner.  They could not understand how he did not show the signs of the torture inflicted upon him.  A council was called, presided over by the medicine man in lieu of the chief.  The medicine man determined that the white man was no ordinary white man, but an evil spirit who would certainly destroy them all if they continued their slow execution.  Immediately, our scout was untied, his wounds dressed, and he was allowed to heal.

While Pilson was on the mend, the chief returned to the village and was apprised of what had transpired in his absence.  Whether from fear or genuine admiration, the chief treated Pilson with nothing but the utmost kindness until he left; nothing would be too good for their guest.  Once finally recovered, Pilson was given freedom within the camp, and when he finally decided to depart the scout was implored in earnest to return again soon to pay the village another visit.

"After these experiences Pilson was in several Indian wars, the last being in '78, when the Utes raided the Lower Platte valley."  That is the next line in the story from the original source and it gives the impression that ol' Robbie was after a little bit of vengeance on those that had made him suffer.  This is a comical twist considering that earlier in the source material it is claimed that the events of his capture and torture, "tested his nerve and at the same time placed him upon friendly terms with the Indians," and implies that they parted ways like old friends. Generally, one does not go to war against people they are on "friendly terms" with.  However, it is noted that Pilson "learned several Indian languages and served the government as an interpreter several times when Uncle Sam was negotiating with the redmen."  Perhaps he figured the best way to get back at the American Indians was to help the U.S. drive them off their lands and into reservations.

The cover of Keith Wheeler's Time-Life book The Scouts, with an excellent depiction of a scout.
The last ten years of his life, Pilson was a cattleman and was known to do business with Lord Ralli, a wealthy Englishman.  The only other text that I could find that specifically documents Pilson states that "Bob Pilson, (a) jovial 350-pound cattleman," bought the Cow Creek ranch in 1888 from one William F. Swan.  The role of a cattleman seems an odd twist in the life of Pilson.  Having once been a scout paid to help the homesteaders, his job in livestock almost certainly made him an enemy of many homesteaders as tensions between the two groups mounted in the late 19th century.  Was this just another example of money motivating the man?

At the end of his life at 1:42 p.m. on March 23, 1899, Robert "Bob" Pilson was 59 years of age and weighed a Toledo-tipping 529 pounds.  Thankfully, nine years before his death he had a special coffin built for himself with his own specifications in mind.  Again, sources differ on the particulars, but it was an extra-large coffin, adorned with oak and silk, and reinforced in several ways to ensure it could properly carry its solitary passenger.  The aforementioned "jovial" nature must have followed Bob the rest of his days.  An obituary from the Saratoga Sun states,

"An hour before the appointed time for the funeral, people began to assemble at the church. Every seat was filled and at the last, there was not even standing room. There were neither kith nor kin present to act in the capacity of mourners – not a soul to drop a tear. Yet the occasion was one of the most solemn that has ever been held in any church. It was such an out pouring of people and such a manifestation of silent sympathy that would have astonished the deceased could he have seen it, for he did not regard himself as having many friends... He was very eccentric, scrupulously honest, very kind-hearted and sympathetic. He has been a familiar figure on our streets for many years and his presence will be missed and regretted by all who knew him...He was one of the best known characters in the state, and his death removes from our midst one of the landmarks of the valley. Not a man who ever knew him but will express regret when he hears of his death, and pay that silent tribute which we all pay to the dead."

Robert Pilson is a fascinating character despite that we know so little about him!  He had a love for adventure, examples of bravery and courage, a mysterious transition into life after the Old West, a love of food and laughter, a keen business sense, and a large waistline.  One can only imagine the other tales of daring-do associated with his scouting days and the Indian wars.  He is yet another historical figure that Rock Island Auction Company is honored to have in this auction.




-Written by Joel Kolander







SOURCES:

http://archive.org/stream/annalsofwyom15141943wyom/annalsofwyom15141943wyom_djvu.txt

http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=45739022

http://www.rootsweb.ancestry.com/~illasall/1870census/dimmick.htm

Wheeler, Keith. The Old West: The Scouts. Alexandria, VA: Time-Life, 1978. Print.