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Showing posts with label cased. Show all posts
Showing posts with label cased. Show all posts

Wednesday, November 9, 2016

The Civil War Surgeon's Educated Colt Revolver

11/12/2016


There are times when you can look at a gun and know it has a story or two to tell. Guns that have earned their own name increase this likelihood exponentially. Take some famous examples, such as "The Hand of God" in the movie 3:10 to Yuma or Davy Crockett's "Old Betsy." Of course, this practice of naming weapons is not new, with references extending as far back as Thor's hammer Mjölnir and Beowulf's sword Naegling. Even in antiquity folks had a fondness for high-performing weapons that had gotten them through some tight spots.

The cased and silver plated Colt 1849 pocked of this article seemed destined to offer such services. Its silver finish beckons to the viewer - seldom does a revolver that can view its sesquicentennial in the rear view mirror possess such a lustre. Just like a bass tracking down a spinner bait, the shiny parts get the attention and draw you in, but this gun sets the hook deep when collectors see the numerous inscriptions on the prized revolver.



Friday, October 14, 2016

Samuel Colt and the Charter Oak

The Charter Oak, Charles DeWolf Brownell, 1857, oil on Canvas

If asked to talk about the Charter Oak, few Americans aside from Connecticut residents, American history professors, or dedicated Colt collectors would be able to touch on the topic. Yet, despite the recollections of the general public, the Charter Oak remains an enduring symbol of American independence. In a modern-day reference, the recent 1999 Connecticut state quarter recently featured its expansive boughs on its reverse. However, the story of the charter oak long predates Samuel Colt, or even the first white explorers to set foot on this continent.


The Oak

The Charter Oak began its life in the 12th or 13th century in an area populated by various Algonquian tribes. By the early 1600s the first Dutch explorers entered the area, notably Adrian Block who sailed the coast of the Long Island Sound, up what would become the Connecticut River, and up to where it joins the Park River, the current site of Hartford. In a 1614 journal entry (which I am unable to find and directly quote), Block notes a massive tree believed to be the Charter Oak.

By any measure, the tree was truly a giant. Sources state that the tree and branches measured some 70 feet across, while the trunk was said to be 33 feet around or "large enough that 27 persons have stood in the hollow." It's gnarled and gothic branches spread in a way that seems more jaggedly drawn by a child than in anything that could be considered stately. Often photographed in its last years without its foliage, the tree appears grotesque in design, but with its verdant mantle, Samuel Colt gushingly referred to it as the "aged monarch of the forest."

Last known photo of the standing Charter Oak, 1855
Dutchman Block also had much to do with accurately mapping the area, establishing trade with the local native Americans, and before long, Dutch and English settlements began to pop up in the area. In short order, the shared importance of the tree between Native American and European settler would become apparent, when in 1638 George Wyllys, third Governor of Connecticut, bought a parcel of land and was having it prepared to make a dwelling, clearing much of the local vegetation. Now known as Wyllys hill, this lot contained the Charter Oak, and as preparations were being made for the lot, a group of the Suckiag tribe came to Wyllys so that the tree might be spared. Known as their Peace Tree, it is said that local tribes held council meetings under its branches, and even tied their canoes to it during spring floods.

"[The Suckiag] came up to remonstrate against the cutting down of a venerable oak that stood... With the true eloquence of nature, the brown sons of the forest pleaded in behalf of the immemorial tree. 'It has been the guide of our ancestors for centuries' said they, 'as to the time of planting our corn. When the leaves are of the size of a mouse's ear, then is the time to put the seed in the ground.' At their solicitation the tree was permitted to stand, and continued to indicate the time when the earth was ready to receive the seed-corn; a vast legendary tree, that must have begun to show signs of decay a hundred years before that day..."

Whether the tree was saved on behalf of the Native Americans, or because the English feared them, or even because that lot was likely chosen primarily for its beautiful mature trees, is beside the point. The Charter Oak's importance had been imparted to the white man, who would soon give it an importance all his own.

The Charter

By 1639, Connecticut has already written and adopted its own sort of constitution called the Fundamental Orders. It established a government, but made no mention of jolly ol' England or her king. Eventually, John Winthrop ("Winthrop the Younger") decided to make things right, and apply for a charter from the king as so many other colonies had successfully done. Winthrop negotiated a very permissive charter from King Charles II, since both of their fathers ( John Winthrop, 1st Governor of Massachusetts and King Charles I) had been very close. In 1662, the Connecticut Charter was granted and all was well in the newly legitimized colony.

However, once the "Merry Monarch's" reign came to an end upon his death in 1685, his successor and brother, King James II, was not nearly so tolerant. In fact, he hated the liberal charters so much that in 1686 he consolidated several colonies into the "Dominion of New England," and revoked their previously issued charters to impose a firmer rule on the distant land. He tasked Sir Edmund Andros as Governor of the Domain and named him "Captain General and Governor in Chief in and over the Colonies of Massachusettes Bay and New Plymouth, the Provinces of New Hampshire and Maine, and the Narragansett count or King's Province."  You thought your job title was long. Andros apparently felt the need to collect the physical documents from each colony to finalize the revocation and demonstrate his control.



An Act of Rebellion

Andros was an arrogant man who likely loved every bit of his lengthy title. When retrieving the charter from Connecticut, he did this with all the fanfare and pomp one would expect from a power-hungry, vain statesman. A letter was set earlier to announce his arrival, and he later arrived on a handsome gray steed amidst trumpet fanfare and numerous armed red coats. He met with Governor Robert Treat and other politicians at Moses Butler's Tavern on Main Street, on October 26, 1687, with the intention of receiving the treaty. However, Treat refused to give the charter at this time, so the King himself arranged a meeting for the two parties to again meet on October 31 at a local public house.

The story goes that Gov. Treat was well-known to speak at length, and on that Halloween eve, did so until dusk, when two candelabras were brought in to light the room. When a frustrated Andros was finally able to speak, he demanded the charter, and stated that failing to present it would be treason. After all, he was "the King's Governor of all new England and that they in turn were all subjects of the king." Such treason would be punished with a splitting of Connecticut colony and dividing the land  between Massachusetts and New York. These threats were not taken lightly and the armed colonists present were likely making the red coats quite nervous. Governor Treat sent immediately for the charter, with Captain Joseph Wordsworth obliging. In the meantime, loud arguments were made about whether or not the charter should actually be delivered to Andros and his entourage, essentially arguing for rebellion against the king.

Such arguments reached a fever pitch when the treaty was brought into the room inside a locked chest. When it was opened, an older gentleman cited as Andrew Leete, "sprang to his feet to rail against the return of the charter." He was frail and gesturing wildly in a patriotic furor, when he suddenly collapsed sending both candelabras to the ground, extinguished. In a spontaneous act of rebellion, Assemblyman Nathaniel Stanley snatched the charter in the dark and quickly passed it out an open window to Captain Wadsworth, who had just brought the charter from the Wyllys mansion. Apparently not thinking clearly, Wadsworth immediately took off for the mansion again. Upon arriving, Ruth Wyllys, suggested he hide the charter in the great cavity of the huge oak since the troops would be sure to search the house knowing the charter had been kept there earlier. Wadsworth agreed, quickly wrapped the document up in his jacket, and hid it inside a hole in the great oak's trunk.


Aftermath

One can safely surmise that Andros was none too happy about the current turn of events, but he made a great effort not to show it. Instead he issued a proclamation that made good on all his threats, which "took into his hands the Government of this Colony of Connecticut, it being by His Majesty annexed to the Massachusetts and other Colonies under his Excellencies Government," effectively taking charge.

However, he was still forced to return to the King without the charter, and in the eyes of the colonists that meant it had never been nullified, even if Andros did still carry the authority of the King. A bit of a semantic victory perhaps, but a victory none-the-less for the colonists who viewed this as an act of direct defiance against the crown. Also, since they never voted to give Andros the charter, they had only recorded Andros' authority, but had never made a vote of submission. Other versions of the story state that Andros was given a copy of the charter while the original was kept in the Charter Oak, thus symbolically keeping the charter in the hands of the colonists. Most sources acknowledge the existence of three copies of the charter, making Andros' mission more hollow than the trunk of the great oak.



Regardless of how it came to be, Andros' rule was a short one in the colonies. The Glorious Revolution took place in the spring of 1689 resulting in William and Mary assuming the throne, which also coincided with the Boston Revolt, a popular uprising against Andros.  Sources differ on whether the colonists simply reverted back to the charter after Andros left, or whether the colonists petitioned King William to reinstate the 1662 charter. Either way, it remained in effect until 1818 when the Connecticut State Constitution was drafted.

A Giant Falls

Even in 1687, the Charter Oak seemed on its last gasp. The trunk had hollowed out so much from decay at the bottom that even in the time of the Native Americans it is noted that the "vast legendary tree, that must have begun to show signs of decay a hundred years before that day, in the cavity at its base, that was gradually enlarging as one generation after another of red men passed from beneath its shadow." In later years its declining health, which was owed "in part to the neglect which dilapidated fortunes of the family and want of male guardianship" and some terrible inclement weather, more poetically described as "the corroding tooth of time or the sharp violence of the tempest."

On August 21, 1856, nearly two centuries after its shining moment in American history, a great storm passed through the area, and was more than the oak's decayed foundation could bear. The mighty tree, beloved by many a generation, had fallen.



The Hartford community immediately fell into mourning, not least of all Samuel Colt, who was noted to express an "admiration and passionate fondness for old trees," let alone those with local and national historic significance. Many began taking wood and acorns of the old giant before an honor guard was set up to cease it. Colt's Armory Band played dirges at noon: Dead March from Saul, Home Sweet Home, and Hail Columbia. Flags were draped over its trunk and stump, and when dusk fell on the city all the church bells tolled for an hour in a solemn chorus. The Hartford Courant headline the following morning read "The Charter Oak is Prostrate!" and ran the story as an obituary.

Wood of the Charter Oak was instantly in demand from all corners of the country. Large portions were set aside and made into a number of wood carvings and furniture pieces. Most notably, is a large hunk of wood for the state of Connecticut that was carved into an incredible, high backed chair. The "chair of state" was "paid for and is still used today by the lieutenant governor in the state senate chamber. Also famously known is an exquisite cradle made for Samuel  Jarvis Colt, Jr., one of many pieces that was created by wood purchased by Samuel Colt that currently reside at the Wadsworth Athenium Museum of Art. The most lavish of the pieces remains the "Charter Oak Chair," a throne of elaborate wood carving, and a masterpiece by any measure. A depiction carved in relief of the Charter Oak comprises the chair's back. Originally commissioned for use by the mayor, the city balked at the $375 price tag (almost $20,000 today). After nearly a year Colt stepped in to buy the chair above and beyond the cost asked of the city calling it, "cheap at any price."

L to R: The Charter Oak Chair, the Charter Oak "Chair of State," and the cradle made for Sam Jarvis Colt
(end photos credit: Wadsworth Atheneum)

Now we have come to the heart of the matter. Finally knowing the history behind this venerable and beloved tree, we can now know the significance behind the artifacts made with its body. Two such artifacts appear in Rock Island Auction Company's 2016 December Premiere Firearms Auction.



Magnificent Factory Cased Colt New Model Pocket Pistol with Charter Oak Grips



This factory cased Colt Model 1855 Sidehammer revolver was manufactured in 1867 and is fitted with grips made with wood harvested from the Charter Oak. Only eight other Sidehammers and one Model 1849 pocket are known to also wear the wood of the revered tree. The case is made of mahogany, and lined with red velvet.  Well known to collectors, this exact pistol is shown and described in great detail in R.L. Wilson's "Magnificent Colts" on pp. 220-225.  It is truly an incredible rarity in Colt collecting and is certain to find a new home with a deservedly prominent collection.






Historic Presentation Walking Stick Carved Directly from the Famous Connecticut Charter Oak Inscribed to Connecticut Governor’s Horse Guard Major-Commander Henry Boardman, Militia Commander and Adversary of Colonel Samuel Colt


The walking stick presented to Major-Commander Henry Boardman requires we give some background on its recipient. Boardman was a Connecticut militia officer who was appointed as commander of the First Company, Governor's Horse Guards in 1845. The Governor's Guards, specifically the First Company of Foot Guards holds the honor of being the American military formation with the longest period of unbroken and unaltered service, which is noted as gallant in many instances.

A single event put Boardman at odds with Samuel Colt, who was called upon to help revive a local Horse Guard. It had long since fallen dormant, much to the displeasure to local residents. Used largely in ceremony, the First Company of the Governor's Hose Guard had failed to appear for the bicentennial celebration of Hartford (1835), the passing through of Gen. Winfield Scott, and even an appearance of Vice President R.M. Johnson was escorted by every possible military unit in the area except the horse guard. Having been a source of pride for so long in the community, many citizens were disgusted and disappointed in their absence.  So much so, in fact, that in 1853 a group of over 100 young men voted to adopt the charter of the old horse guard. To give credence to this newly revived organization Samuel Colt was invited and gladly accepted the opportunity to be a part of something so flashy, ceremonious, and important to the people. He was also elected as Major Commandant of the new unit, despite not seeking the office.



No doubt it took some time for the members of the newly formed guard to practice, find uniforms for members that were not part of the old horse guard, and so on. This was also more than enough time for Boardman to hear of the new group and to seethe about the fact that this group had been usurped right from underneath him! On May 3, 1854, when the new Horse Guard was making its first appearance to a delighted public, Major Boardman's Horse Guard also showed up for the first time in eight years, surprising everyone who thought the group had died out.

This left two groups claiming to be the First Company, Governor's Horse Guard, and instead of making a decision, the governor passed this dilemma on to the General Assembly. Both sides had arguments in their favor. Boardman stated that he had never disbanded the group, been discharged, nor been notified of any reorganization, feeling the new movements "too fast for him, or not quite courteous enough." Colt also had plenty of ground to stand on, with the prior group not having performed any service for eight years, having no recent membership records, and a lack of interest in its body of members. Eventually Governor Dutton met with the two men to resolve the matter, when in the course of debate Colt snarkily stated, "I felt...that Hartford should have something better than a comatose troop of cavalry and I was willing to do my share in putting some life into it." A remark that brought Boardman to his feet ready to trade blows with his adversary.


Gov. Dutton eventually allowed Boardman's group to continue as the First Company Governor's Horse Guard, with Colt's guard to be recognized as a "Company of Cavalry to be attached to the First Regiment of the First Brigade of the Militia." The scrap breathed a new fire into the belly of the Horse Guard and thereafter they presented themselves in full uniform and full number with a martial band and an enthusiasm long since absent.

This cane, made of solid Charter Oak, was presented to Maj. Boardman on May 4, 1858 by I.W. Stuart, an author, politician, and local historian perhaps most responsible for raising the legend of the Charter Oak to such lofty heights.




(Note: Not related to the Charter Oak, a sword also presented to Major Boardman will also be offered in the sale. Pictured below)




These items bring their significance to American history, as well as their rarity, to the Rock Island Auction Company 2016 December Premiere Firearms Auction. A Colt sidehammer in this condition alone would be a fantastic find for any collector, but to have Charter Oak grips, and knowing how dear the Charter Oak was to Samuel Colt, puts it in a special realm for Colt collectors. The cane on the other hand, represents a strong opposing force to Colt's life in Hartford. Just as competitors to Colt's M1911 pistol are now strong collectibles, this cane represents a vanquished foe whose name is left in the dusty pages in history. Its rarity and fascinating tale make it an appropriate addition to the most thorough and comprehensive Colt collections.





- Written by Joel R. Kolander







SOURCES:

Barnard, Henry. Armsmear: The Home, the Arm, and the Armory of Samuel Colt: A Memorial. Place of Publication Not Identified: Beinfeld, 1976. Print.

Hosley, William N. Colt: The Making of an American Legend. N.p.: U of Massachusetts, 1996. Print.

Howard, James L. The Origin and Fortunes of Troop B: 1788, Governor's Independent Volunteer Troop of Horse Guards, 1911, Troop B Cavalry, Connecticut National Guard, 1917. Hartford, CT: Case, Lockwood & Brainard, 1921. Print.

http://www.charteroakfsc.com/TheCharterOak.pdf

http://www.ctpostalhistory.com/CtPP/Postal_Markings_files/ThomastonCharterOak2016.pdf

Lee, Robert M., R. L. Wilson, Donald E. Zilkha, Michael V. Korda, Vance Fox, Douglas Sandberg, Conor Fitzgerald, and Charles F. Priore. Magnificent Colts: Selections from the Robert M. Lee Collection. 1st ed. Vol. I. Sparks, NV: Yellowstone, 2011. Print.


Friday, August 14, 2015

5 Guns That Belong In the Met

If you have an interest in gun or art collecting, you know that the Metropolitan Museum of Art in New York City has an extensive collection of firearms.  Their Arms & Armor Department, founded in 1912, houses hundreds of spectacular pieces from various nations, eras, and masters of their craft.  Not just for firearms, the area is also filled with historic edged weapons and various types of armor and helmets.  It is no exaggeration to call it an encyclopedia of its subject matter and one of the finest groupings in the entire world.

In an effort to display some of the more spectacular items that have arrived relatively recently at the Met, they've even displayed a new exhibit, Arms and Armor: Notable Acquisitions 2003 - 2014, a noble commitment to these gorgeous and historic pieces, the firearms of which often find themselves under popular attack.  They are even rotating many of the items every several weeks!  This exhibit began on November 14, 2014 and will continue to run through December 6, 2015, so if you find yourself in the "City that Never Sleeps," there's still time to view a good number of the amazing recent additions.

Keeping in mind the beautiful and historic items displayed at the Met, Rock Island Auction Company would like to show you five outstanding pieces that would easily find their place at the lauded art museum.  All the pieces shown will be appearing in the 2015 September Premiere Firearms Auction, the catalog for which can be found here.  If you would like to see additional photos or know more of the history behind any of the items shown in this article, such information is contained in said online catalog.  Without further ado, here are the Top Five Items that Deserve to Be In the Met.


1.  Elaborate 1839 Exhibition Award Winning Joseph Falloise Signed, "Danse Macabre" Engraved and Gold and Silver Inlaid De Petigny Percussion Target Rifle


This is a rifle that must be seen to be believed.  Clicking on the first photo will enlarge it and show the absolutely stunning briarwood stock that acts as the foundation for this breathtaking French carbine.  With a profile that would not appear out of place in modern science fiction, the De Petigny target rifle served as an exhibition piece for the gunsmith at L'Exposition des Produits de l'Industrie Francaise (The Exhibition of French Industry Products) held in Paris during the early summer months of 1839.



The high points of the rifle are easier to list than to show a picture of each one, so please click the link above to see all the high-resolution, detailed photos of this masterpiece.  The lockplate and hammer still show touches of their gold plating, and the rest of the gun wears it profusely.


The entire length of the heavy, Damascus steel barrel, forged by Parisian master gunsmith Louis Pincon, is smothered by the work of engraver Joseph Fallois.  It is a mixture of panel scenes, etching, and floral scrollwork.  The theme of the embellishments on this rifle is that of "danse macabre," illustrated in even the tiniest of details.  A skull and cross bones appear on top of the receiver, and the upper right and left barrel flats together depict 30 engraved scenes bearing the likeness of death.  Small Latin phrases also appear on the gun to reinforce the motif, such as "Post mortem nihil est," (After death, there is nothing) on the barrel, and the text "Memento mori," (Remember you must die) curls around the muzzle along with two crossed bones.

Even the bottom of the forearm is exquisitely engraved with large overlays depicting Napoleon I with an eagle featuring gold inlaid accents, as well as a soldier in military uniform.  Not a single centimeter was ignored in the creation of this expertly crafted and stunning carbine.  It truly epitomizes the phrase, "steel canvas," and is readily one of the most significant true pieces of art we are ever offered.







Before touching on this pistol's aesthetics, discussing its extreme rarity would be prudent.  For even in all its beauty and craftsmanship, it remains even more rare thanks to the firing mechanism.  The petronel is the rarest form of all 16th century wheel locks.  The last petronel to be offered for sale was in 2008 and prior to that was 1983.

Petronels fit between arquebuses and pistols, being distinct from the two by being similar to a pistol, but differing with a wider butt as well as its overall shape.  They were distinctly larger than pistols, this example points a lengthy 22 1/4" barrel, and fired a larger round. Having a wider butt made it easier to fire by bracing it against the chest - earning the gun its name from the French poitrine (chest).  Due to the weight inherent in a larger gun, it was frequently carried by a baudrick (shoulder sling).  It was often used by horsemen, making it a derivation of the harquebuss, and would be carried on a sling with the gun resting on the chest for ease of access.  Consider it the "saddle ring carbine" of the 1500s.

It is a head turning piece with its dramatically curved fruitwood stock inlaid almost entirely with white stag horn that has been polished and engraved with scenes of gods and goddesses from antiquity, grotesque masks, geometric designs, mythical dragons, and large scrollwork.  As if that weren't enough, selected portions of the ivory-like bone inlay have been stained a vibrant green producing an enamel effect known as polychrome.  Such verdant accents immediately catch the eye and draw the viewer in for a closer look at this petronel's incredible detail.

Once this arm held a place of honor in the collection of Baron Frederic Spitzer.  Spitzer was the most important dealer in medieval and Renaissance art during the late 19th century, with clients including the Baron Adolphe de Rothschild and Sir Richard Wallace.  When he passed in 1890, his collection was a museum in itself, and one of the largest of its kind in Europe.  After being sold once, the majority of the collection was donated to several renowned English museums.  There being virtually no petronels in private American collections, this piece represents a fine and rare opportunity rife with provenance that is sure to offer pride of ownership for decades to come.








Instantly visible in this royal set of wheel lock pistols are fantastic inlaid bone plaques set into the fruitwood stock.  Evenly spaced throughout the wood, grotesque sea serpents are carved and engraved into the bone as are foliage and floral patterns.  Another feat of artistry on the pistols are the seven-sided, fluted, pear shaped "pommels," each side with bone inlay of its own.



When firearms are made for royalty, one can safely assume that only the utmost in care was given to their creation.  Not only is bone used in the many inlays that adorn the warm-toned wood, but it is also used in several rosettes, two ramrod ends, the fore-end caps, and surrounding the breech tang.  As the headline indicates, this pistol set was created for Prince Christian II, Elector of Saxony and has been in world class collections since its creation.  They were once part of the Collection of Saxon Electoral Armories in Dresden, also known as the Dresden Armory.  It is one of the world's largest collections of ceremonial weapons & armor, and to see the museum is to know that it takes a well-preserved, historical masterpiece to earn a place in such an institution (Click on that link.  The exhibits are jaw-dropping and you won't regret it).  These pistols were also in the collection of one Mr. Stephen V. Grancsay, who, appropriately enough for this article, was the one-time curator of the Arms and Armor Department at the Metropolitan Museum of Art.  They have also been displayed at the Brooklyn Museum of Art in 1933 and at the Allentown Museum in 1964.  While this article has selected guns that deserve to be in one of the world's most prestigious art museums, these pistols have the provenance to earn it.  They are only the third pair of Stockmann pistols to have been sold in America in 1968.  It is an opportunity of a lifetime.





4. A Magnificent and Superb Royal Cased Pair of Lavishly Gold Inlaid Percussion Pistols by Manceaux of Paris Presented to Captain Thomas, Lord Cochrane, 10th Earl of Dundonald, by Louis Philippe, King of France


While this cased set of incredible presentation pistols are certainly worthy of their own write-up, they were investigated thoroughly in last week's article, The Admiral, The King, & the Inventor, and will not be covered again here.




5.  An Extremely Rare Gold Mounted Flintlock Pocket Pistol By Nicolas Noël Boutet Circa 1805




This diminutive pistol was created by arguably one of the greatest manufacturers of high art firearms of all time, Nicolas Noël Boutet.  The Parisian was the Director Artiste of Versailles, the gunsmith to King Louis XVI, and even to Emperor Napoleon.  Boutet's resume and generally recognized mastery would be adequate to earn it a place in any museum, and the Met has already recognized this by featuring several of the artisan's works of pistols, longarms, and even design drawings.  France's Musée de l'Armée is also well known to proudly display Boutet works.

Rock Island Auction Company has sold Boutet pistols before with great success and it's not difficult to see why.  This particular pocket pistol is engraved on the barrel and muzzle with decorative bands that are so tiny, they must be seen to appreciate the excruciating detail.  The frame is finely engraved with a bull on the right side and a pair of stallions on the left.  The life-like appearance and expertise in these engravings is unmatched during that era and holds its own to this day.  Even the underside of the frame has a tiny farmhouse seen, a stag in a field, while the underside of the 1 3/8" round barrel depicts a woman in period clothing carrying a basket.  To perform these engravings so far ahead of their time and on such a Lilliputian scale is simply astounding.  For arms so small, they certainly require a great deal of space to describe them.  Not yet discussed are the engraved safety switch, the engraved swan neck hammer, frizzen, and top-jaw, as well as the extravagant ebony grip gold inlaid with images of floral vines, leaves, dragons, and gryphons,







Truth be told, there are more than five items in our upcoming 2015 September Premiere Firearms Auction that deserve to be in New York's Metropolitan Museum of Art.  There just isn't time to list them all, but here are a few that certainly warrant an Honorable Mention.


Lot 1157: Superb and Richly Adorned Cased Pair of Anton Vinzent Lebeda of Prague Gold Inlaid and Engraved Percussion Target Pistols

A classic choice for any high end collection or museum, this pistol set has all the essentials: a renowned craftsman, intricate engraving, beautiful inlays, expert and delicate stock carving, Damascus barrels, precious metals, a compliment of exceptional accessories, and a striking case.











Lot 1114: Very Rare Fine Italian Cinquedea Short Sword with Elaborate Engraving


The name cinquedea (cinque diti) translates to "five fingers" - a reference to the blade's width.  Its large flat surface provided a natural canvas for artists.  Why would the Met be interested in this?  They may already have one or two (as does the Louvre) and the engraving on this particular example depicts numerous mythical beasts, several religious texts in Latin, and two faded circular equestrian scenes.  The intentionally visible iron tang also features its own text on a mounted bronze panel.  The grip is black horn overlaid with antique ivory.






Lot 160: Exceptional Michael Has Signed and 1663 Dated Flintlock Jaeger Rifle with Extraordinary Raised Relief Carved Stock and Oil Painted Beulwitz Coat of Arms

We'll just let the relief carved stock do the talking for this rifle.  Which is easy when said carving depicts a man being trampled to death by a cavalry charge alongside a tiny oil panting of the maker's family coat of arms.





Many of these guns are out from behind museum glass relatively recently considering their long lives.  Blades and arms in general, often only belonged to the well-to-do, and weapons adorned so lavishly would certainly have been made only for royalty and other elite classes.  The Met states it succinctly on their web page when they say,

"Arms and armor have been a vital part of virtually all cultures for thousands of years, pivotal not only in conquest and defense, but also in court pageantry and ceremonial events. Throughout time the best armor and weapons have represented the highest artistic and technical capabilities of the society and period in which they were made, forming a unique aspect of both art history and material culture."
These arms appearing in the September Premiere Firearms Auction are certainly evidence of that, exuding the very best of period artistry, technology, and wealth.




-Written by Joel Kolander














Sources:

Fosbroke, Thomas Dudley, M.A., F.S.A. Encyclopaedia of Antiquities and Elements of Archaeology, Classical and Mediaeval, Volume 2. Vol. II. Web.

http://www.metmuseum.org/about-the-museum/now-at-the-met/features/2013/arms-and-armor-centennial

http://www.metmuseum.org/about-the-museum/museum-departments/curatorial-departments/arms-and-armor

http://www.metmuseum.org/exhibitions/listings/2014/art-of-collecting-arms-and-armor

Thursday, May 7, 2015

Top Guns: 2015 April Premiere Auction

In case you missed our post-auction write-up, our April Premiere Firearms Auction was a weekend filled with bidder battles that made for an exciting and fun event.  The sale as a whole garnered over $11.6 million and enjoyed great participation, with many lots receiving dozens of sealed bids before the auction even started.  Per positive response, here again are the top items in a whole bunch of categories we hope you find useful or interesting.  Again, these aren't some cherry-picked stats from the auction that we use to hype our results.  This is straight from the data to you.  Enjoy!


Most Popular Item

Lot 3871: : Cased Colt Python Double Action Revolver
Number of Sealed Bidders: 36

To clarify, this revolver had 36 bidders competing for it before the auction began.  This isn't really surprising since Colt snake guns, especially the Python, are currently enjoying a celebrity-like level of attention.  It's also not surprising that this particular revolver broke its low estimate of $1,300 and sold for $3,162.  What is surprising is that this example has the second lowest estimate out of all Pythons in the entire auction.  What does that tell us?  That people are still trying to get in on these tough looking beauties on the ground floor.

Something that WAS surprising for Colt Pythons was the new record price reached for one during this auction.  Lot 1934 was a first year production with the low serial number of 170 and it easily caused the most excitement of the weekend as bids just kept climbing and climbing.  It would eventually sell for $17,250.



Top Dollar

Lot 1093: Highly Documented, Cased, and Earliest Known Factory Engraved Colt Pocket Model Paterson Revolver No. 1 (Baby Paterson) with Accessories

Realized Price: $414,000

Drawing top dollar in this auction was this diminutive Colt Paterson.  These pocket pistols are the earliest offering from the legendary manufacturer and this example is particularly early with its serial number of 98.  Therefore not only is it one of the first one hundred Colts ever made (in quantity), it is also the earliest known factory engraved Colt and the earliest known to be fitted with pearl grips.  Only 500 No. 1 Model revolvers were ever made.  Its mother-of-pearl grips, special 1 3/4 inch barrel, hand-engraved frame, backstrap, & barrel, six German silver band inlays, backstrap inlaid with a German silver escutcheon, case-hardened frame & hammer, and six German silver stud inlays to secure the grips are, in the opinion of Colt expert R.L. Wilson, evident that this was used as a sample piece by Samuel Colt himself.  This revolver has been in numerous prominent collections and documented in several books.


Highest Performing Item Overall

Lot 3772: Cased Colt Rattlesnake Legacy Edition Commemorative Model 1911A1 Semi-Automatic Pistol
Low Estimate: $900
Realized Price: $4,887

The coolest features about this gun are easily the grips bound in the skin of an American Diamondback rattlesnake.  What's unusual is that commemorative guns typically don't draw huge prices.  Yes, Colts have often been the top performers at our auctions, but usually they're classic models that have stood the test of time, and while a 1911A1 certainly fits that bill, a modern commemorative one doesn't.

This Colt just barely edged out lot 3492 as the top performing item overall; it contained the rare Springfield Armory experimental M1 Garand chambered for the 22-06 cartridges.  Generating much interest and many bids, the iconic weapon far surpassed its $6,500 low estimate on its way to sell for $31,625.



Highest Performing Genre: Shotguns

Lot 1746: Extremely Scarce, Desirable, and Documented Parker Bros. AHE Double Barrel Shotgun with Vent Rib in 20 Gauge with Additional Barrel Set

When we say that Rock Island Auction Company is becoming the place to go for high end hunting pieces, both rifles and shotguns, we're not kidding.  It's always nice to see the numbers verify the trends one notices in person.  Shown above is the double barrel Parker Brothers shotgun that found the highest sale amount of the genre at an impressive $48,875.  The top performing shotgun though was a bit more, shall we say, popular, in nature.  Lot 3746 contained the Franchi SPAS-12 shotgun: banned from import in both 1989 and 1994, and featured in movies such as Jurassic Park, Terminator, The Matrix, & Snatch, was (pun intended) snatched up by a collector who disregarded the $1,000 low estimate to add the celebrity shotgun to their collection for $3,737.  That's 225% OVER its anticipated figure.



Highest Selling Colt

Since the top dollar of the entire auction and the top performer of the auction were Colts that we've already covered, we'll just move right along.


Highest Selling Winchester

Lot 1017: Rare Deluxe Factory Engraved Gold-Plated Winchester Model 1866 Lever Action Rifle

This deluxe Winchester 1866 lever action, manufactured circa 1869, drew $69,000 at auction.  This third model has a gold finish that was period replated, a highly figured fancy walnut stock with the high polish piano finish, over 70% of the original blue finish, a nitre blue loading gate with barely a mark upon it, factory engraving on the receiver, fore end cap, & buttplate, special sights, and several casehardened small parts.  It would be easier to list the special order features this rifle didn't have!



Highest Selling German Arm

Lot 1451: Extraordinary Historic Pre-World War II Walther Factory Engraved Gold Plated Model PP Presentation Pistol For King Carol II of Romania

With three world class selections in this auction all with an emphasis on German and European arms, it was anybody's guess which collector firearm would claim the top spot in this genre.  When the auction was all said and done, the gilded Walther PP you see above reigned supreme as the top grossing German arm with a realized price of $92,000.  Hot on its heels in second place was the DWM Model 1902 "Cartridge Counter" Test Luger in lot 3345 that earned $74,750.



Highest Selling Civil War Item

Lot 265: Rare Cased Pinfire LeMat Grapeshot Revolver
This cased Belgian pinfire version of the Civil War hand cannon earned this honor with a sale price of $31,625.  Some lucky collector also received the added bonus of some nasty looking fragmented "slugs" for use in its 20 gauge smoothbore barrel.  In no small coincidence, the third best selling Civil War arm was also a LeMat in lot 1085, though it was a Paris addressed Second Model that used the percussion firing system.  Both are a tribute to the popularity of what is easily the most recognizable Confederate revolver.



Highest Selling Non-Firearm

Lot 1295: Historic Theodore Roosevelt Presentation Inscribed Western Saddle with Research

This  category was also wide open with the amount of historic and often highly adorned Nazi items appearing in this auction.  It's hard to hide my satisfaction that this item, with its neat presidential and wild west history, edged out the Nazi gifts.  I believe Teddy would say, "BULLY!"  This was a gift to President Roosevelt from the historic Rough Riders, which he in turn presented to Lucille Mulhall, known then as "The First Cowgirl" and "Queen of the Range."  That's a lot of history between two stirrups.





Well how about that?  This was a very well-rounded sale with three phenomenal collections focusing on German and European arms, but the Colts still took the cake.  Not only did a Colt see the highest price of the auction, and the best performance, but also the auction's most popular item!  This doesn't even mention the large number of other Colts that received a high number of bids before the auction even began.  They were also aided by the William Baird Collection - a lifelong study on Colt Model 1877/78 Lightnings and Thunderers.  We don't call Colts "blue chip" guns without good reason.

Now that you've read about the past auction, be sure to check out the upcoming auction!  That's right! The catalog for our June Regional Firearms Auction is already online as of today.  Head on over today to search for all your favorites and to place those bids as early as possible.


-Written by Joel Kolander