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Showing posts with label percussion. Show all posts
Showing posts with label percussion. Show all posts

Wednesday, November 9, 2016

The Civil War Surgeon's Educated Colt Revolver

11/12/2016


There are times when you can look at a gun and know it has a story or two to tell. Guns that have earned their own name increase this likelihood exponentially. Take some famous examples, such as "The Hand of God" in the movie 3:10 to Yuma or Davy Crockett's "Old Betsy." Of course, this practice of naming weapons is not new, with references extending as far back as Thor's hammer Mjölnir and Beowulf's sword Naegling. Even in antiquity folks had a fondness for high-performing weapons that had gotten them through some tight spots.

The cased and silver plated Colt 1849 pocked of this article seemed destined to offer such services. Its silver finish beckons to the viewer - seldom does a revolver that can view its sesquicentennial in the rear view mirror possess such a lustre. Just like a bass tracking down a spinner bait, the shiny parts get the attention and draw you in, but this gun sets the hook deep when collectors see the numerous inscriptions on the prized revolver.



Friday, September 4, 2015

The Piedmont Collection of World Class Kentucky Rifles



They go by many names:  Kentucky rifles, American longrifles, Pennsylvania rifles, and so on, but they all reference a single style of muzzleloader that instantly evokes images of a young American nation - and rightly so.  Those distinct long and rifled barrels are a unique American twist on a design that is linked directly to this country's origins.  Capt. John Dillin said it best in his 1924 book, The Kentucky Rifle,

"From a flat bar of soft iron, hand forged into a gun barrel; laboriously bored and rifled with crude tools; fitted with a stock hewn from a maple tree in the neighboring forest; and supplied with a lock hammered to shape on the anvil; an unknown smith, in a shop long since silent, fashioned a rifle which changed the whole course of world history; made possible the settlement of a continent; and ultimately freed our country of foreign domination. Light in weight; graceful in line; economical in consumption of powder and lead; fatally precise; distinctly American; it sprang into immediate popularity; and for a hundred years was a model often slightly varied but never radically changed."


These eloquent guns earned their name from the location of their manufacture.  Most "Kentucky" rifles were actually created somewhere in the foothills or mountains of the Appalachian mountains by European immigrants who had settled there.  These rifles exemplify the hard work, gumption, and dogged persistence shown by those early pioneers.  Truly a "one stop shop," there was no division of labor.  Each gunsmith was responsible for every stage of manufacture: barrel, lock, action, stock, and any artistic embellishments he wished to add.  It required a gunsmith to also be a blacksmith, carpenter, engineer, and sometimes a silversmith, carver, and engraver.  It was hard work done entirely with hand tools, but the fruits of the labor were sweet.  At the finish, a man would have a tool that was indispensable on the frontier.  Much like today, it could be used to provide food as well as protection, two vitally essential functions.




The Kentucky rifles featured in Rock Island Auction Company's September Premiere Firearms Auction represent the finest ever made.  Produced during the "Golden Age" of Kentucky rifles, some of the most well-known and skilled gunsmiths are represented in the sale courtesy of the expansive and impressive Piedmont Collection of World Class Kentucky Rifles.   Such a grouping is the result of decades of collecting, focusing on the very finest, high condition pieces that exude the beauty of a bygone era.  Here are some of the top arms of this collection.


Lot 204: Extraordinary John Armstrong Golden Age Percussion Long Rifle with Raised Relief Carved Stock


Estimate: $65,000 - $95,000





John Armstrong was a gunsmith located in Emmitsburg, Maryland whose smithing career spanned circa 1808 - 1841 (though some say he started as early as 1793).  His works can be found in many of the most respected books written on Kentucky rifles and he is generally considered to be one of the very best of the era.  His pieces often draw comparisons to Swiss watches and Rolls Royce automobiles - classics that defy time.  We could only find one previous rifle built by Armstrong using percussion ignition, though there are rumored to be as many as four originally created as percussion arms.  In either case, this example remains supremely rare.  The rifle was undoubtedly produced in his later years of manufacture and features inlaid brass plate, beautiful wood carving, twelve silver inlays, engraving, and checkered sections of the stock.







Lot 207: Documented Award Winning Peter Neihart Golden Age Flintlock Pennsylvania Rifle and Matching Contemporary Miniature with Award Plaque

Estimate: $20,000 - $35,000



This flintlock Kentucky rifle made by Peter Neihart has enjoyed quite a bit of attention in its lifetime.  Featured in several noteable books, this significant piece has a stunning, full-length curly maple stock, brass wire inlays, carved embellishments, an attractive patchbox, silver inlays, engraving, and other brass accents.  It won the Kentucky Rifle Association's "Best of Show" in 1969 and is accompanied by a contemporary miniature of itself!

The gun's significance in Kentucky rifles is also notable, as detailed by George Shumway in his book Rifles of Colonial America, Vol. I.

"A lot is known about Neihart from the research of Ronald G. Gabel... This rifle serves as a transition piece linking the Germanic style of rifle made at Christian Spring with the classic curved-butt Lehigh Valley rifles of the Federal Period and beyond... The two-piece engraved brass patch-box on this rifle, with the lid bearing the date 1787, has a finial of fleur-de-lis pattern. This is the earliest dated use of this pattern that we can be certain of..."









Lot 1140: Extremely Rare John Armstrong Golden Age Flintlock Long Rifle with Raised Relief Carved Stock





We're fortunate enough to have a second John Armstrong piece in this auction, but, unlike the first, this is a flintlock.  Note the design similarities between this and the first rifle shown in this article.  Armstrong rarely varied in his design, but this suited the perfectionist manufacturer and allowed him to hone his craft to a fine art.  His consistency and benchmark quality spawned numerous imitators and provided inspiration to even more.
Part of that perfection lies in the locks.  When most makers were purchasing their locks, saving them both time and money, Armstrong was crafting his from hand.  Albert Sullivan phrases the importance of these locks as such,

"Incidentally, there is a feeling, a very sensible one, in the Kentucky rifle fraternity that the absence of the original lock in a Kentucky rifle is not too important. This is because the lock was almost never made by the gunsmith and so did not represent his handiwork. Also, locks were expendable they wore out and they were replaced, so they seldom related to the gunsmith who made the rifle. But this does not hold with Armstrong. Because he made and signed his own locks, and because they were so special and were so appropriate to his guns..."

To read more of Sullivan's article is to understand the reverence and respect that is held by collectors for these iconic and classic firearms by Armstrong.






Lot 1145: Documented Adam Ernst Golden Age Flintlock Pennsylvania Rifle with Raised Relief Carved Stock and Brass Lock Plate


One of the aforementioned artisans who took inspiration from Armstrong's designs is clearly Adam Ernst, a top gunsmith in his own right.  A quick look at the patchbox, cheeckpiece, engraving, and buttstock carving reveals more than just a slight influence from the era's preeminent maker.  What stands out as unusual on this rifle is its brass lock plate when most were made from browned or case hardened iron.






These magnificent guns represent only a fraction of the more than one dozen spectacular Kentucky rifles appearing in this auction courtesy of The Piedmont Collection.  The brief descriptions given here only scratch the surface of the deep, rich histories of both the arms and their makers.  It cannot be overstated that Kentucky rifles played a role in shaping this great nation.  Initially a tool of "rugged individualism," well before Herbert Hoover coined the phrase, these rifles' superior range and accuracy provided a distinct combat advantage in numerous conflicts such as the Seven Years War, the War of 1812, Texas' War for Independence from Mexico, and the American Revolution.

Please view our extraordinary selection of this historically significant rifles from some of the era's top gunsmiths.  Collectors' respect for these early artisans is not misplaced!  Ponder for a moment that often one man was responsible for specializing in a number of areas in the manufacturing process.  To do at such a high and renowned level, even recognized hundreds of years later, is something that can be recognized by anyone who appreciates a superior level of quality and dedication to task.



-Written by Joel R. Kolander







SOURCES:

http://www.emmitsburg.net/archive_list/articles/places/business/armstrong_rifles.htm




Friday, August 14, 2015

5 Guns That Belong In the Met

If you have an interest in gun or art collecting, you know that the Metropolitan Museum of Art in New York City has an extensive collection of firearms.  Their Arms & Armor Department, founded in 1912, houses hundreds of spectacular pieces from various nations, eras, and masters of their craft.  Not just for firearms, the area is also filled with historic edged weapons and various types of armor and helmets.  It is no exaggeration to call it an encyclopedia of its subject matter and one of the finest groupings in the entire world.

In an effort to display some of the more spectacular items that have arrived relatively recently at the Met, they've even displayed a new exhibit, Arms and Armor: Notable Acquisitions 2003 - 2014, a noble commitment to these gorgeous and historic pieces, the firearms of which often find themselves under popular attack.  They are even rotating many of the items every several weeks!  This exhibit began on November 14, 2014 and will continue to run through December 6, 2015, so if you find yourself in the "City that Never Sleeps," there's still time to view a good number of the amazing recent additions.

Keeping in mind the beautiful and historic items displayed at the Met, Rock Island Auction Company would like to show you five outstanding pieces that would easily find their place at the lauded art museum.  All the pieces shown will be appearing in the 2015 September Premiere Firearms Auction, the catalog for which can be found here.  If you would like to see additional photos or know more of the history behind any of the items shown in this article, such information is contained in said online catalog.  Without further ado, here are the Top Five Items that Deserve to Be In the Met.


1.  Elaborate 1839 Exhibition Award Winning Joseph Falloise Signed, "Danse Macabre" Engraved and Gold and Silver Inlaid De Petigny Percussion Target Rifle


This is a rifle that must be seen to be believed.  Clicking on the first photo will enlarge it and show the absolutely stunning briarwood stock that acts as the foundation for this breathtaking French carbine.  With a profile that would not appear out of place in modern science fiction, the De Petigny target rifle served as an exhibition piece for the gunsmith at L'Exposition des Produits de l'Industrie Francaise (The Exhibition of French Industry Products) held in Paris during the early summer months of 1839.



The high points of the rifle are easier to list than to show a picture of each one, so please click the link above to see all the high-resolution, detailed photos of this masterpiece.  The lockplate and hammer still show touches of their gold plating, and the rest of the gun wears it profusely.


The entire length of the heavy, Damascus steel barrel, forged by Parisian master gunsmith Louis Pincon, is smothered by the work of engraver Joseph Fallois.  It is a mixture of panel scenes, etching, and floral scrollwork.  The theme of the embellishments on this rifle is that of "danse macabre," illustrated in even the tiniest of details.  A skull and cross bones appear on top of the receiver, and the upper right and left barrel flats together depict 30 engraved scenes bearing the likeness of death.  Small Latin phrases also appear on the gun to reinforce the motif, such as "Post mortem nihil est," (After death, there is nothing) on the barrel, and the text "Memento mori," (Remember you must die) curls around the muzzle along with two crossed bones.

Even the bottom of the forearm is exquisitely engraved with large overlays depicting Napoleon I with an eagle featuring gold inlaid accents, as well as a soldier in military uniform.  Not a single centimeter was ignored in the creation of this expertly crafted and stunning carbine.  It truly epitomizes the phrase, "steel canvas," and is readily one of the most significant true pieces of art we are ever offered.







Before touching on this pistol's aesthetics, discussing its extreme rarity would be prudent.  For even in all its beauty and craftsmanship, it remains even more rare thanks to the firing mechanism.  The petronel is the rarest form of all 16th century wheel locks.  The last petronel to be offered for sale was in 2008 and prior to that was 1983.

Petronels fit between arquebuses and pistols, being distinct from the two by being similar to a pistol, but differing with a wider butt as well as its overall shape.  They were distinctly larger than pistols, this example points a lengthy 22 1/4" barrel, and fired a larger round. Having a wider butt made it easier to fire by bracing it against the chest - earning the gun its name from the French poitrine (chest).  Due to the weight inherent in a larger gun, it was frequently carried by a baudrick (shoulder sling).  It was often used by horsemen, making it a derivation of the harquebuss, and would be carried on a sling with the gun resting on the chest for ease of access.  Consider it the "saddle ring carbine" of the 1500s.

It is a head turning piece with its dramatically curved fruitwood stock inlaid almost entirely with white stag horn that has been polished and engraved with scenes of gods and goddesses from antiquity, grotesque masks, geometric designs, mythical dragons, and large scrollwork.  As if that weren't enough, selected portions of the ivory-like bone inlay have been stained a vibrant green producing an enamel effect known as polychrome.  Such verdant accents immediately catch the eye and draw the viewer in for a closer look at this petronel's incredible detail.

Once this arm held a place of honor in the collection of Baron Frederic Spitzer.  Spitzer was the most important dealer in medieval and Renaissance art during the late 19th century, with clients including the Baron Adolphe de Rothschild and Sir Richard Wallace.  When he passed in 1890, his collection was a museum in itself, and one of the largest of its kind in Europe.  After being sold once, the majority of the collection was donated to several renowned English museums.  There being virtually no petronels in private American collections, this piece represents a fine and rare opportunity rife with provenance that is sure to offer pride of ownership for decades to come.








Instantly visible in this royal set of wheel lock pistols are fantastic inlaid bone plaques set into the fruitwood stock.  Evenly spaced throughout the wood, grotesque sea serpents are carved and engraved into the bone as are foliage and floral patterns.  Another feat of artistry on the pistols are the seven-sided, fluted, pear shaped "pommels," each side with bone inlay of its own.



When firearms are made for royalty, one can safely assume that only the utmost in care was given to their creation.  Not only is bone used in the many inlays that adorn the warm-toned wood, but it is also used in several rosettes, two ramrod ends, the fore-end caps, and surrounding the breech tang.  As the headline indicates, this pistol set was created for Prince Christian II, Elector of Saxony and has been in world class collections since its creation.  They were once part of the Collection of Saxon Electoral Armories in Dresden, also known as the Dresden Armory.  It is one of the world's largest collections of ceremonial weapons & armor, and to see the museum is to know that it takes a well-preserved, historical masterpiece to earn a place in such an institution (Click on that link.  The exhibits are jaw-dropping and you won't regret it).  These pistols were also in the collection of one Mr. Stephen V. Grancsay, who, appropriately enough for this article, was the one-time curator of the Arms and Armor Department at the Metropolitan Museum of Art.  They have also been displayed at the Brooklyn Museum of Art in 1933 and at the Allentown Museum in 1964.  While this article has selected guns that deserve to be in one of the world's most prestigious art museums, these pistols have the provenance to earn it.  They are only the third pair of Stockmann pistols to have been sold in America in 1968.  It is an opportunity of a lifetime.





4. A Magnificent and Superb Royal Cased Pair of Lavishly Gold Inlaid Percussion Pistols by Manceaux of Paris Presented to Captain Thomas, Lord Cochrane, 10th Earl of Dundonald, by Louis Philippe, King of France


While this cased set of incredible presentation pistols are certainly worthy of their own write-up, they were investigated thoroughly in last week's article, The Admiral, The King, & the Inventor, and will not be covered again here.




5.  An Extremely Rare Gold Mounted Flintlock Pocket Pistol By Nicolas Noël Boutet Circa 1805




This diminutive pistol was created by arguably one of the greatest manufacturers of high art firearms of all time, Nicolas Noël Boutet.  The Parisian was the Director Artiste of Versailles, the gunsmith to King Louis XVI, and even to Emperor Napoleon.  Boutet's resume and generally recognized mastery would be adequate to earn it a place in any museum, and the Met has already recognized this by featuring several of the artisan's works of pistols, longarms, and even design drawings.  France's Musée de l'Armée is also well known to proudly display Boutet works.

Rock Island Auction Company has sold Boutet pistols before with great success and it's not difficult to see why.  This particular pocket pistol is engraved on the barrel and muzzle with decorative bands that are so tiny, they must be seen to appreciate the excruciating detail.  The frame is finely engraved with a bull on the right side and a pair of stallions on the left.  The life-like appearance and expertise in these engravings is unmatched during that era and holds its own to this day.  Even the underside of the frame has a tiny farmhouse seen, a stag in a field, while the underside of the 1 3/8" round barrel depicts a woman in period clothing carrying a basket.  To perform these engravings so far ahead of their time and on such a Lilliputian scale is simply astounding.  For arms so small, they certainly require a great deal of space to describe them.  Not yet discussed are the engraved safety switch, the engraved swan neck hammer, frizzen, and top-jaw, as well as the extravagant ebony grip gold inlaid with images of floral vines, leaves, dragons, and gryphons,







Truth be told, there are more than five items in our upcoming 2015 September Premiere Firearms Auction that deserve to be in New York's Metropolitan Museum of Art.  There just isn't time to list them all, but here are a few that certainly warrant an Honorable Mention.


Lot 1157: Superb and Richly Adorned Cased Pair of Anton Vinzent Lebeda of Prague Gold Inlaid and Engraved Percussion Target Pistols

A classic choice for any high end collection or museum, this pistol set has all the essentials: a renowned craftsman, intricate engraving, beautiful inlays, expert and delicate stock carving, Damascus barrels, precious metals, a compliment of exceptional accessories, and a striking case.











Lot 1114: Very Rare Fine Italian Cinquedea Short Sword with Elaborate Engraving


The name cinquedea (cinque diti) translates to "five fingers" - a reference to the blade's width.  Its large flat surface provided a natural canvas for artists.  Why would the Met be interested in this?  They may already have one or two (as does the Louvre) and the engraving on this particular example depicts numerous mythical beasts, several religious texts in Latin, and two faded circular equestrian scenes.  The intentionally visible iron tang also features its own text on a mounted bronze panel.  The grip is black horn overlaid with antique ivory.






Lot 160: Exceptional Michael Has Signed and 1663 Dated Flintlock Jaeger Rifle with Extraordinary Raised Relief Carved Stock and Oil Painted Beulwitz Coat of Arms

We'll just let the relief carved stock do the talking for this rifle.  Which is easy when said carving depicts a man being trampled to death by a cavalry charge alongside a tiny oil panting of the maker's family coat of arms.





Many of these guns are out from behind museum glass relatively recently considering their long lives.  Blades and arms in general, often only belonged to the well-to-do, and weapons adorned so lavishly would certainly have been made only for royalty and other elite classes.  The Met states it succinctly on their web page when they say,

"Arms and armor have been a vital part of virtually all cultures for thousands of years, pivotal not only in conquest and defense, but also in court pageantry and ceremonial events. Throughout time the best armor and weapons have represented the highest artistic and technical capabilities of the society and period in which they were made, forming a unique aspect of both art history and material culture."
These arms appearing in the September Premiere Firearms Auction are certainly evidence of that, exuding the very best of period artistry, technology, and wealth.




-Written by Joel Kolander














Sources:

Fosbroke, Thomas Dudley, M.A., F.S.A. Encyclopaedia of Antiquities and Elements of Archaeology, Classical and Mediaeval, Volume 2. Vol. II. Web.

http://www.metmuseum.org/about-the-museum/now-at-the-met/features/2013/arms-and-armor-centennial

http://www.metmuseum.org/about-the-museum/museum-departments/curatorial-departments/arms-and-armor

http://www.metmuseum.org/exhibitions/listings/2014/art-of-collecting-arms-and-armor

Thursday, December 18, 2014

Interesting Facts from the December 2014 Premiere Sale

Our December 2014 Premiere Firearms Auction had a few surprises for us.  Sure, it was as successful as ever with its realized total of $11.4 million, but that success came from some interesting places.  Some of the "old reliables" maintained the grip of their popularity, other genres and models experienced a surge of renewed interest, and some were way out of left field.  Today, we'll take a look at a few of the pieces that livened up the auction and whose results may not have been entirely expected.





Highest Performing Item Overall (Based on Highest Percentage Over Estimate)

Lot 1799: Colt Python Double Action Revolver
Low Estimate: $1,200
Realized Price: $11,500

"Highest Performing," for the purposes of this article, means the item that sold the highest percentage over its low estimate.

Colt Pythons have really enjoyed upswings in both popularity and price in the last several years.  The love for these high quality, fat-gripped wheel guns has carried over to other Colt "Snake Guns" and even into large Smith & Wesson revolvers for those unable to afford the reptilian revolvers.  This particular revolver remained in near perfect condition and was manufactured in 1956, making this a second-year production.  That early production also means it bears the remarkably low serial number of 543.  Perhaps even more staggering is that this isn't even the highest price brought by a Python in this auction, a honor belonging to lot 1795, which sold for a princely $14,950.


Highest Performing Antique

Lot 175: Custom Engraved Civil War Colt Model 1860 Army Percussion Revolver with Factory Letter Shipped to the New York Arsenal
Low Estimate: $3,000
Realized Price: $19,550

This classic Colt percussion revolver enjoyed a little more attention than usual thanks to its attractive customization, but moreso because of details in its factory letter.  First off, the letter details the gun as having a "blue/brass" finish and wood grips.  It's easy to see that the grips have been replaced with antique ivory that bear a carved eagle clutching an American-style shield in its talons.  In closer-up photos, one can also tell that the revolver has been custom engraved and that the front sight is made from German silver.

While those changes will appeal to some collectors, certainly its shipping destination will endear it to a larger number.  The factory letter lists that this revolver was sold to the "United States Government" and shipped to the "Commanding Officer" at the New York Arsenal on Governor's Island, New York on June 18, 1863.  That's a pretty intriguing history on a model of revolver that already has cemented its place in U.S. military firearms lore as the primary cavalry handgun from its adoption until the introduction of the legendary Model 1873.  The combination of looks, history, and a classic arm was too good to ignore.



Most Popular Item

Lot 3787: Colt Python Double Action Revolver

This is a tricky title to give, as we're measuring it by the amount of bids an item received.  The amount of pre-auction sealed bids go a long way into consideration and are easy to calculate, but how do you measure live participation?  Numerous buyers can raise their card for one bid, but the auctioneer can only take one, so it's difficult to measure how many bids an item truly received.  Not to mention the online participation, where the same scenario could unfold and you'd never even have the chance to see additional bidders.

That said, and with some wiggle room figured in, we claim a four-way tie between four lots of Colt snake guns!  Lots 1799 (the highest performing item overall), 1797, 3787, and 3790 all averaged around 50 bidders each!  That makes these three lots of Pythons, and one containing an Anaconda and a King Cobra, the most sought after items in the auction!  The best part is, we didn't need to look at the numbers to know it.  The bids were pouring in the minute these guns crossed the block and every single phone line was occupied with a bidder waiting for a chance to win one of these revolvers.  The buzz in the auction hall told this story before the numbers ever could.


Oldest Gun Sold

Lot 3093: Highly Ornately Gold, Silver, Pearl, Coral and Bone Inlaid Ottoman Miquelet Rifle
Low Estimate: $1,400
Realized Price: $3,162

There are many that feel these ornate antique guns are greatly underappreciated.  The high level of craftsmanship, the luxurious materials, and the aesthetics are often found far under the price of what it would cost to produce such a firearm today.  This gun is a prime example of such an argument thanks to its intricate inlays of gold, silver, pearl, coral, and bone.  It is simply mystifying what people could do with what we would consider "primitive tools" by today's standards.

While we can't always determine an exact year for many of the firearms in our auctions, we can come pretty close based on several helpful factors.  This is the oldest gun I could uncover after some in-depth searching.  Our describers estimate that this Ottoman rifle likely dates to the late 17th or early 18th century.  While that qualifies it for the oldest gun in the auction, it is not the oldest item.  That honor belongs to the 16th Century Italian style, swept-hilt rapier in lot 120.


Highest Selling Colt

Lot 1270: Impeccably Documented Captain Walker's C Company Colt Walker U.S. Model 1847 Revolver
Realized Price: $172,500

Believe it or not, that six-figure price is actually a great find for the lucky buyer.  Also in the "believe it or not" category is that the contest for highest selling Colt was far from a landslide.  May other phenomenal Colt firearms were also in the running like the presentation grade, recently discovered Model 1855 revolving shotgun, a 'D Company' Colt Walker, and a Squareback Texas No. 5 Paterson with its original holster.  By the way, many companies will go years without the privilege of selling a Colt Walker - they are ridiculously rare and sought after.  To have two in one auction, and another in each of our previous two auctions, is border-line impossible.  Well, impossible for most auction houses.  For those keeping track, that's four Walkers in 2014, 2 in 201`3, and another 4 in 2012!


Highest Selling Winchester

Lot 1043: Magnificent, Deluxe, Documented Special Order, Winchester Third Model 1873 with Casehardened Frame and Factory Letter
Realized Price: $149,500

Besides being completely gorgeous thanks to its iridescent case hardening and wood that seems to glint like a tiger's eye gemstone, this gun is also extremely rare.  Just like today, if you wanted to order a gun with custom features, you were going to have to pay for it.  Also just like today, not everybody wants to spend that kind of money, instead preferring a cheaper firearm for a life of service.  This makes special order Winchesters rare and it makes Winchesters with a combination of features increasingly more rare as their list of features increases.  This particular rifle has no shortage of special order features: 1/2 octagon barrel, set trigger, deluxe 3X fancy grain walnut stock, "Style H" checkering, pistol grip (the bottom of which has an ebony inlay), gold washed beach folding front sight, rare folding 62-B rear peep sight, and the casehardened forearm cap, receiver, hammer, lever, and crescent buttplate.  It is very much deserving of its sale price.


Highest Selling Luger

Lot 1446: Extraordinary Finest Known DWM Model 1906 Russian Military Contract Semi-Automatic Luger Pistol
Realized Price: $46,000

Those pistols made for a Russian contract are the rarest of all military contract Lugers.  Distinct with their Cyrillic text and crossed "Mosin-Nagant rifles" marking over the chamber area, these Lugers easily catch the eye of discerning collectors.  This gun's rarity and "excellent" condition grade are made even more valuable by remaining all original, and having all matching numbers, with the exception of its original, nickel plated, wood base commercial magazine.


Highest Selling Civil War Item

Lot  1269: Extraordinary Deluxe Gustave Young Panel Scene Engraved, Presentation First Model Maynard Breechloading Carbine

Realized Price: $37,375

One might not associate a gun so finely decorated to be a "Civil War firearm," but over 20,000 Maynard Second Model carbines were made for Union cavalry units.  The one shown above is a First Model.  It has a fancy grain, walnut stock with a patchbox and an inlaid and inscribed silver plate.  It is in exceptional condition, and most notably exhibits delicate and flawlessly executed European  style scroll work and panel scene engraving.  The work, while not documented, was almost certainly performed by the legendary Master Engraver Gustave Young.


Highest Selling Non-Firearm


Lot 1601: Two Inscribed United States Marine Corps Mameluke Officer Swords with Scabbards, Documented to Two Navy Cross Winners

Realized Price: $4,312

The swords themselves are attractive and fascinating pieces of U.S. military history.  They have brass cross guards, brass fitted/nickel finished sheaths, etching in a Marine Corps motif, and even the rig necessary to wear the swords properly.  The history of the swords is even more impressive than their decor.

One of the swords was issued to one Col. Miles R. Thatcher.  A man who started out as a 2nd LT in 1905 and by 1946 had retired as a full Colonel.  In his tenure with the USMC he earned quite a few medals to pin to his chest: the Navy Cross, the Nicaraguan Medal of Merit, the Haitian Medialle Militiare, the Mexican Campaign Medal, and the Marine Corps Expeditionary Medal.  The Navy Cross is the second-highest military award for valor eligible to the Navy, USMC, and Coast Guard.

The other was issued to a Gilbert Durnell Hatfield, a Marine enlistee in 1915 who would eventually retire as a Lieutenant Colonel.  Hatfield earned his Navy Cross for his "coolness and military way of handling the situation."  What situation, you ask?  He was serving in Nicaragua when Augusto Sandino, a bandit and later namesake of the Sandinista National Liberation Front, launched a pre-dawn raid on his camp with a 5:1 troop advantage.  When Sandino sent a messenger to Hatfield requesting his surrender, Hatfield replied, "Marines don't surrender.  Go to hell."  Well put, Marine.



Well, there you have it.  Whether people spoke en masse or with their wallets, those were some of the most desirable items in the auction.  Far from an exhaustive list of items that performed well, we thought it would be interesting to show some items that you made into highlights.  This list wasn't created by RIAC, it was created by enthusiastic and passionate collectors and investors,  If you'd like to see this type of lists after other auctions, leave us a comment below and let us know.  Also, if you have an idea for a "highlight" you'd like to see after subsequent auctions, feel free to put that in a comment as well.  We can't thank you all enough for a fantastic 2014!  See you all in February for our first ever FOUR DAY AUCTION taking place February 19, 20, 21, & 22, 2015.  Stay tuned to this blog and our social media pages for more details as they develop.